Discover X-T30 II | Fujifilm AU House of Photography

INSPIRED BY PHOTOGRAPHERS

Fujifilm X-T30 II BLACK

$1,449.00

Tech Specs

Model Name		FUJIFILM X-T30 II
Lens Mount		FUJIFILM X mount
Image sensor		23.5mm x 15.6mm (APS-C) X-Trans CMOS 4 with primary color filter
Number of effective pixels		26.1 millions pixels
Sensor Cleaning System		Ultra Sonic Vibration
Image Processing Engine		X-Processor 4
Storage media		SD Card (-2GB) SDHC Card (-32GB) SDXC Card (-2TB) UHS-I *Please see the Fujifilm website to check memory card compatibility.
File format of still image		DCF: Compliant with Design rule for Camera File system (DCF2.0) JPEG: Exif Ver.2.32 RAW: 14bit RAW (RAF original format) *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
Number of recorded pixels		L: (3:2) 6240 x 4160 / (16:9) 6240 x 3512 / (1:1) 4160 x 4160 M: (3:2) 4416 x 2944 / (16:9) 4416x 2488 / (1:1) 2944 x 2944 S: (3:2) 3120 x 2080 / (16:9) 3120x 1760 / (1:1) 2080 x 2080
Panorama		L: (vertical) 9600 x 2160 / (Horizontal) 9600 x 1440 M: (Vertical) 6400 x 2160 / (Horizontal) 6400 x 1440
Sensitivity	Still Image	Standard Output : AUTO1 / AUTO2 / AUTO3 / ISO160 ~12800(1/3 step) Extended output : ISO80 / 100 / 125 / 25600 / 51200
	Movie	Standard Output Sensitivity : AUTO / ISO160 ~12800 (1/3 step) Extended output sensitivity : ISO25600
Exposure control		TTL 256-zone metering, Multi / Spot / Average / Center Weighted
Exposure mode		P(Program AE) / A(Aperture Priority AE) / S(Shutter Speed Priority AE) / M(Manual Exposure)
Exposure compensation	Still	-5.0EV ~ +5.0EV 1/3EV step
	Movie	-2.0EV ~ +2.0EV 1/3EV step
Shutter type		Focal Plane Shutter
Shutter speed	Mechanical Shutter	P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 15min. to 1/4000sec. Bulb mode: up to 60min.
	Electronic Shutter	P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: 1sec. Fixed *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
	Mechanical + Electronic Shutter	P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min.
Continuous shooting		Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 29 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames)
		Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 79 frames Compressed RAW: 20 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames)
		Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 153 frames Compressed RAW: 26 frames Lossless compression RAW¼ 18 frames Uncompressed RAW: 18 frames)
		Approx. 20fps [Only electronic shutter ] (JPEG: 32 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames)
		Approx. 10fps [Only electronic shutter ] (JPEG: 81 frames Compressed RAW: 21 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames)
		Approx. 8fps (JPEG: 105 frames Compressed RAW: 23 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames)
		Approx. 5fps (JPEG: 458 frames Compressed RAW: 46 frames Lossless compression RAW: 24 frames Uncompressed RAW: 19 frames)
		Approx. 4fps (JPEG: Endless Compressed RAW: 107 frames Lossless compression RAW: 28 frames Uncompressed RAW: 20 frames)
		Approx. 3fps (JPEG: Endless Compressed RAW: 480 frames Lossless compression RAW: 34 frames Uncompressed RAW: 21 frames)
		Pre-shot: Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 15 frames after full press, total max. 25 frames)
		Pre-shot: Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 48 frames after full press, total max. 58 frames)
		Pre-shot: Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 110 frames after full press, total max. 120 frames)
		* Recordable frames depends on recording media * Speed of continuous shooting depends on shooting environment and shooting frames
Drive Mode	AE Bracketing	2 frames 3 frames 5 frames 7 frames 9 frames ^*by 1/3EV step, up to ±3EV steps
	Filmsimulation bracketing	Any 3 types of film simulation selectable
	Dynamic Range Bracketing	100% 200% 400%
	ISO sensitivity Bracketing	±1/3EV ±2/3EV ±1EV
	White Balance Bracketing	±1 ±2 ±3
	Focus Bracketing	AUTO MANUAL
	Multiple Exposure	Yes (Max. 9 frames) Additive Average Bright Dark
	HDR Mode	AUTO 200% 400% 800% 800% +
	Advanced filter	Toy camera Miniature Pop color High-key Low-key Dynamic tone Soft focus Partial color (Red / Orange / Yellow / Green / Blue / Purple)
Focus	Mode	Single AF / Continuous AF / MF
	Type	Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
	Low-light Performance	Contrast: -4.0EV XF50mmF1.0 attached Phase Detection: -7.0EV XF50mmF1.0 attached
	AF frame selection	Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13x9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes
	Face/eye detection	Yes
Flash	Built-in flash	Manual pop-up flash (Super Intelligent Flash) Guide Number: approx. 7 (ISO200Em) / approx. 5 (ISO100Em) Effective range(ISO1600) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF
	Shoe mount flash	Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF
Hot shoe		Yes (Dedicated TTL Flash compatible)
Viewfinder		0.39 inch OLED Color Viewfinder Approx. 2.36 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 17.5mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -4 ~ +2m-1 Magnification: 0.62x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 31° (Horizontal angle of view: approx. 26° ) Built-In Eye Sensor
LCD monitor		3.0 inch Tilt-Type Touch Screen Color LCD Monitor Aspect Ratio 3:2 Approx. 1.62 million dots
Touch Screen Mode	Shooting mode	Shooting / AF / Focus Area / OFF / Double Tap Setting (ON/OFF) / Touch Function Setting (ON/OFF) / EVF Touch Screen Area Setting
	Playback Mode	Swipe / Pinch-in / Pinch-out / Double-tap / Drag
Movie recording	File format	MOV: MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC
	Movie compression	Long GOP
	File size / Frame rate / Recording time	[DCI4K(17:9) 4096 x 2160] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min [4K(16:9) 3840 x 2160] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min [Full HD(17:9) 2048 x 1080] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min. [Full HD(16:9) 1920 x 1080] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min. [Full HD(16:9) High speed rec. 1920 x 1080] 240p/200p/120p/100p 200Mbps(recording) 240p / 200p up to approx. 3min 120p / 100p up to approx. 6min. ^* For recording movies, use a SD memory card with UHS Speed Class 3 or higher. ^* Recording time can become short depending on the temperature and/or shooting conditions
Film simulation mode		18 modes (PROVIA/STANDARD, Velvia/VIVID, ASTIA/SOFT, CLASSIC CHROME, PRO Neg. Hi, PRO Neg. Std, CLASSIC Neg., ETERNA/CINEMA, ETERNA BLEACH BYPASS, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter, MONOCHROME, MONOCHROME+Ye Filter, MONOCHROME+R Filter, MONOCHROME+G Filter, SEPIA)
Monochromatic Color		Yes
Grain Effect	Roughness	STRONG, WEAK, OFF
	Size	LARGE, SMALL
Color chrome effect		STRONG, WEAK, OFF
Color chrome Blue		STRONG, WEAK, OFF
Dynamic range setting	Still	AUTO / 100％ / 200％ / 400％ ISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more
	Movie	100％ / 200％ / 400％ ISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more
White balance		Auto: White Priority / Auto / Ambience Priority Custom: Custom1 - 3 Color temperature selection: 2500K~10000K Preset: Fine / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater
Clarity setting		±5 steps
Self-timer		10sec. / 2sec.
Interval timer shooting		Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing)
Wireless transmitter		Standard: IEEE802.11b/g/n (standard wireless protocol) Encryption: WEP/WPA/WPA2 mixed mode Access mode: Infrastructure
Bluetooth®		Standartd: Bluetooth Ver. 4.2 (Bluetooth low energy) Operating frequency (Center frequency): 2402~2480MHz
Terminal		Digital interface: USB Type-C (USB3.2 Gen1x1) HDMI output: HDMI Micro connector (Type D) Others: ø2.5mm, stereo mini connector (for Microphone and Remote Release) / Hot shoe
Power supply		NP-W126S Li-ion battery (included) Battery life for still images: Normal Mode Approx. 390 frames ^When XF35mmF1.4 R is set Actual battery life of movie capture: 4K Approx. 45min. (29.97p) / Full HD Approx. 45min. (59.94p) ^Face detection is set to OFF Continuance battery life of movie capture: 4K Approx. 60min. (29.97p) /Full HD Approx. 75min. (59.94p) ^Face detection is set to OFF ^Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Dimensions		Width: 118.4mm Height: 82.8mm Depth(Minimum Depth): 46.8mm(31.9mm)
Weight		including battery and SD memory card: Approx. 378g excluding battery and SD memory card: Approx. 329g
Operation Environment		Operating Temperature: 0℃ ~ +40℃ Operating Humidity: 10% - 80% (no condensation)
Starting up period		Approx. 0.4sec.
Accessories included		Li-ion battery NP-W126S / USB cable / Shoulder strap / Body cap

Reviews

Inspired by
photographers

Every element of Fujifilm X-T30 II has been designed with photographers in mind. From the dial-based operation, compact & lightweight body, to the APS-C sensor, it lights up the imagination and inspires creativity. What’s more, X-T30 II fuses cutting edge, convenient features – such as a rear touchscreen and a discreet built-in flash – with a vintage aesthetic charm to make photography a truly immersive experience.

378g

with battery
& card

26MP

8FPS BURST
SHOOTING

4K/30P

4:2:0 8-BIT
INTERNAL RECORDING

Frame every
opportunity.

4TH GENERATION

Processor & sensor

X-Trans CMOS 4 sensor

The fourth-generation X-Trans CMOS 4 sensor sits at the heart of X-T30 II. The 26.1MP back-illuminated imaging sensor minimise noise, while also extending sensitivity to ISO160. The unique structure of the X-Trans colour filter array reduces moiré and false colour, without the need for an optical low pass filter.

X-Processor 4

The quad-core X-Processor 4 works with the sensor to provide an image processing combination that is capable of delivering various Film Simulation options, opening doors to new levels of creativity through how they each interpret colours and tones. Enhancements have also been made to autofocus for both stills and video.

Customise your settings

Define your style

X-T30 II makes it easy to create your own distinctive visual style by combining Film Simulations with other effects, including film grain texture, colour depth, clarity, sharpness, highlight & shadow tones. All these adjustments are displayed live in the EVF and on the LCD touchscreen, for you to create great-looking effects and save them as presets.

Define your style

Grain effect

From a mild texture to the gritty look of a traditional high-ISO film, with X-T30 II you can easily add natural-looking grain to your photos in camera, controlling its intensity and size for perfect results.

Define your style

Clarity

The Clarity control lets you decide whether to recreate a scene with a crisp sharpness or a softer feel. With 11 levels of control, it’s easy to fine-tune to your personal taste and style.

Define your style

Colour chrome effect

Use X-T30 II’s Colour Chrome effects to add depth, detail, and natural vividness to red, green, or yellow tones in your image where saturation is too high to achieve true gradation; or use Colour Chrome FX Blue to adjust values in just the blue tones of any image. Adjust them separately in three levels to perfectly match your subject.

Define your style

Colour mastery

Great images need great colour and Fujifilm’s outstanding legacy in colour science, perfected by combining more than 85 years of expertise and knowledge, delivers on every image that is created. Each Film Simulation produces specially formulated depth, saturation, and tonality that needs little-or-no post production work.

Colour mastery

19 film simulation

Photographers and filmmakers can enjoy the creative freedom and unique look and feel of 18 different Film Simulations on X-T30 II. Each Film Simulation is precisely engineered to reproduce colours and tones from Fujifilm’s most popular analog films and some of photography’s longest-standing photo finishing processes. With your favourite Film Simulation, you can make images or video with a consistent look, transfer them to a smartphone or computer, then immediately post to social media or a blog.

Kontorn Siritantikorn | X-T30 II

Velvia/Vivid

Based on FUJICHROME Velvia, an ultra-vivid reversal film designed for professionals, this Film Simulation mode provides richer and more high-contrast colours than the PROVIA/STANDARD. It is a favourite of landscape photographers.

Eterna/Cinema

Based on ETERNA, a film designed for motion pictures, this Film Simulation mode minimises saturation to ensure that none of the colours stand out. It provides an extremely soft tonal gradation in highlights and deep shadows to prevent clipping, to reproduce a cinematic look.

Eterna Bleach Bypass

This Film Simulation mode applies a Bleach Bypass effect to the ETERNA/CINEMA mode. This creates a high-contrast and low-saturation look which gives a touch of profoundness, loved by many filmmakers, which is perfect for a more dramatic edit.

Sepia

Adds a warm tone across the frame for a sepia look. When applied to a retro subject, it creates a nostalgic look.

MonoChrome

Shoots in black and white. Available with yellow, red, and green filters, which deepen shades of grey corresponding to hues complementary to the selected color.

Frame every opportunity

Autofocus

X-T30 II’s advanced autofocus uses densely arranged phase detection pixels and advanced algorithms to achieve outstanding autofocus. Reaching blistering speeds and working across the frame, X-T30 II ensures you’re perfectly equipped to frame every opportunity.

Minoru Kobayashi

Focusing is as little as 0.02 secs, X-T30 II offers an autofocus performance equivalent to other high-performance X Series cameras 2. In addition, thanks to the combination of X-Trans CMOS 4 sensor and X-Processor 4 image processing engine, it maintains focus on fast or erratically moving subjects and will lock on to an individual’s face for portrait perfection.

Whether you’re photographing people on the move or using a shallow depth-of-field to give your portraits a three-dimensional look, you can be confident X-T30 II will keep your subject’s face or eyes in focus thanks to Face and Eye Detection AF. These also work for for video, so X-T30 II will keep the subject sharp, while you concentrate on the story.

AF speed and performance doesn’t let up when it comes to other subjects, either. X-T30 II’s AF algorithm detects shapes and colours to identify subjects, keeping them in focus with high-speed tracking performance. A half-press of the shutter button is all it takes for X-T30 II to smoothly and accurately track your subject as it moves around the frame.

X-T30 II’s Intelligent Hybrid Phase Detection autofocus system delivers sharp, clear results in very dark interiors or low-light situations. With a sensitivity down to -7EV 3, autofocus can be used even in nighttime conditions, where other cameras might struggle.

high-resolution

Movie features

Many of today’s cameras have a 4K video output, but X-T30 II uniquely shoots footage oversampled from an original 6K signal. This means the camera delivers high-resolution footage with relatively low noise and stunning sharpness. It also supports filming in DCI format with a 17:9 aspect, for a high-quality cinematic look.

Movie

Film simulation

Fujifilm’s unrivalled colour science benefits video, too. When creating movies, you can use any of the X-T30 II’s 18 different Film Simulations to add your own distinctive look to footage, including ETERNA/CINEMA, the motion picture film stock used in many cinematic masterpieces.

Movie

Full HD 240p high speed footage

X-T30 II records Full HD high-speed movies at 240fps. Played back at normal speed, this results in smooth, high-quality footage with up to a 10x slow-motion effect.

Movie

F-Log

For greater post-production flexibility, X-T30 II supports F-Log video format, which allows you to record movies with a wide dynamic range, improving detail in highlights and shadows. Using F-Log View Assist while recording also gives you a BT.709 equivalent preview on the LCD monitor, to help with visualizing what an edit could look like.

Shooting Modes

Suit Any Conditions

X-T30 II adapts to the way you want to create images. For great results with minimal hassle, AUTO offers intelligent, fully-automatic shooting. Choose Manual to take full control yourself; pick Aperture Priority for front-to-back sharpness, or blur backgrounds in your image; switch to Shutter Priority to emphasise movement in your subject; or set Program to leave the choice of aperture and shutter speed to the camera.

Using the latest technology, image quality in X-T30 II’s AUTO/SP mode has been taken to a new level. Landscapes are clearer and more vivid, portraits are more beautifully natural, and backlit scenes are less prone to losing details in highlights and shadows, giving stellar results straight out of the camera.

Shooting Modes

Control Mode

With its intuitive operation, X-T30 II lets you quickly switch between exposure modes, simply by setting a combination of the Shutter Speed Dial and the Aperture Ring on the lens. The Exposure Compensation Dial also allows you to adjust exposure by up to ±5 stops 4.

Shooting Modes

AUTO Mode

X-T30 II’s enhanced AUTO mode uses the latest technology to deliver ultimate image quality. Landscapes are clearer and more vivid, portraits are beautifully natural, and backlit scenes are less prone to losing detail in highlights and shadows, giving stellar results straight out of the camera.