X-T50

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Fujifilm X-T50 BLACK

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Tech Specs

Model Name

FUJIFILM X-T50

Lens Mount

FUJIFILM X mount

Image Sensor

23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter

Number of effective pixels

40.2 millions pixels

Sensor Cleaning System

Ultra Sonic Vibration

Image Processing Engine

X-Processor 5

Sensor Cleaning System

Ultra Sonic Vibration

Storage media

SD Card (-2GB)

SDHC Card (-32GB)

SDXC Card (-2TB)

UHS-I

UHS-II

Video Speed Class V90

*Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility.

File format of still image

DCF

Compliant with Design rule for Camera File system (DCF2.0)

JPEG

Exif Ver.2.32

HEIF

4:2:2 10bit

RAW

14bit RAW (RAF original format)

TIFF

8bit / 16bit RGB (In-camera Raw Conversion Only)

Notes

*Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing

Number of recorded pixels

[L]

43: 6864 x 5152
32: 7728 x 5152
169: 7728 x 4344
11: 5152 x 5152
54: 6432×5152

[M]

43: 4864 x 3648
32: 5472 x 3648
169: 5472 x 3080
11: 3648 x 3648
54: 4560×3648

[S]

43: 3456 x 2592
32: 3888 x 2592
169: 3888 x 2184
11: 2592 x 2592
54: 3264×2592

Panorama

[L]

vertical: 9600 x 2160
horizontal: 9600 x 1440

[M]

vertical: 6400 x 2160
horizontal: 6400 x 1440

Sensitivity

Still Image

Standard Output

AUTO1

AUTO2

AUTO3

ISO125~12800 (1/3 step)

Extended Output

ISO64

ISO80

ISO100

ISO25600

ISO51200

Movie

Standard Output

AUTO

ISO125~12800 (1/3 step)

Extended Output

ISO25600

Exposure control

TTL 256-zone metering
Multi
Spot
Average
Center Weighted

Exposure mode

P (Program AE)
A (Aperture Priority AE)
S (Shutter Speed Priority AE)
M (Manual Exposure)

Exposure compensation

Still

-5.0EV~+5.0EV 1/3EV step

Movie

-2.0EV~+2.0EV 1/3EV step

Image stabilizer

Mechanism

Image sensor shift mechanism with 5-axis compensation

Compensation Effect

7.0 stops

Digital Image Stabilization

Yes (movie mode only)

IS MODE BOOST

Yes (movie mode only)

Shutter type

Focal Plane Shutter

Shutter speed

Mechanical shutter

P mode

4sec. to 1/4000sec.

A mode

30sec. to 1/4000sec.

S/M mode

15min. to 1/4000sec.

Bulb

up to 60min.

Electronic shutter

P mode

30sec. to 1/180000sec.

A mode

30sec. to 1/180000sec.

S/M mode

15min. to 1/180000sec.

Bulb

1sec. Fixed

Electronic front curtain shutter

P mode

30sec. to 1/4000sec.

A mode

30sec. to 1/4000sec.

S/M mode

15min. to 1/4000sec.

Bulb

up to 60min.

Mechanical + Electronic shutter

P mode

30sec. to 1/180000sec.

A mode

30sec. to 1/180000sec.

S/M mode

15min. to 1/180000sec.

Bulb

up to 60min.

Notes

*Mechanical shutter works until 1/4000sec.

E-front + Mechanical shutter

P mode

30sec. to 1/4000sec.

E-front + Mechanical + Electronic shutter

P mode

30sec. to 1/180000sec.

Movie

6.2K

1/4000sec. to 1/24 sec.

4K/DCI4K

1/4000sec. to 1/4 sec.

FHD

1/4000sec. to 1/4 sec.

Notes

*Cannot choose slower shutter speed than framerate for some settings.

Synchronized shutter speed for flash

Mechanical shutter

1/180sec. or slower

Continuous shooting

Electronic Shutter Approx. 20fps (1.29x Crop)

JPEG

168 frames

Compressed RAW

66 frames

Lossless compressed RAW

32 frames

Uncompressed RAW

17 frames

Compressed RAW + JPEG

21 frames

Lossless compressed RAW + JPEG

20 frames

Uncompressed RAW + JPEG

17 frames

Electronic Shutter Approx. 13fps (1.29x Crop)

JPEG

1000+ frames

Compressed RAW

94 frames

Lossless compressed RAW

25 frames

Uncompressed RAW

21 frames

Compressed RAW + JPEG

48 frames

Lossless compressed RAW + JPEG

31 frames

Uncompressed RAW + JPEG

19 frames

Electronic Shutter Approx. 10fps (1.29x Crop)

JPEG

1000+ frames

Compressed RAW

536 frames

Lossless compressed RAW

43 frames

Uncompressed RAW

23 frames

Compressed RAW + JPEG

61 frames

Lossless compressed RAW + JPEG

37 frames

Uncompressed RAW + JPEG

21 frames

Electronic Shutter Approx. 13fps

JPEG

163 frames

Compressed RAW

46 frames

Lossless compressed RAW

21 frames

Uncompressed RAW

18 frames

Compressed RAW + JPEG

24 frames

Lossless compressed RAW + JPEG

20 frames

Uncompressed RAW + JPEG

19 frames

Electronic Shutter Approx. 8.9fps

JPEG

1000+ frames

Compressed RAW

68 frames

Lossless compressed RAW

28 frames

Uncompressed RAW

21 frames

Compressed RAW + JPEG

36 frames

Lossless compressed RAW + JPEG

23 frames

Uncompressed RAW + JPEG

21 frames

Electronic Shutter Approx. 8.0fps

JPEG

1000+ frames

Compressed RAW

79 frames

Lossless compressed RAW

22 frames

Uncompressed RAW

20 frames

Compressed RAW + JPEG

30 frames

Lossless compressed RAW + JPEG

21 frames

Uncompressed RAW + JPEG

20 frames

Mechanical Shutter Approx. 5.0fps

JPEG

1000+ frames

Compressed RAW

1000+ frames

Lossless compressed RAW

56 frames

Uncompressed RAW

24 frames

Compressed RAW + JPEG

81 frames

Lossless compressed RAW + JPEG

27 frames

Uncompressed RAW + JPEG

21 frames

Mechanical Shutter Approx. 4.0fps

JPEG

1000+ frames

Compressed RAW

1000+ frames

Lossless compressed RAW

1000+ frames

Uncompressed RAW

29 frames

Mechanical Shutter Approx. 3.0fps

JPEG

1000+ frames

Compressed RAW

1000+ frames

Lossless compressed RAW

1000+ frames

Uncompressed RAW

60 frames

Pre-shot

Electronic Shutter, 1.25 X Crop Approx. 20fps (1.29x Crop)

20 frames

135 frames

155 frames

Electronic Shutter, 1.25 X Crop Approx. 13fps (1.29x Crop)

13 frames

177 frames

190 frames

Electronic Shutter, 1.25 X Crop Approx. 10fps (1.29x Crop)

10 frames

240 frames

250 frames

Electronic Shutter, 1.25 X Crop Approx. 13fps

13 frames

177 frames

190 frames

Notes

*Recordable frames depends on recording media
*Speed of continuous shooting depends on shooting environment and shooting frames

Drive Mode

AE Bracketing

2 frames
3 frames
5 frames
7 frames
9 frames

Filmsimulation bracketing

Any 3 types of film simulation selectable

Dynamic Range Bracketing

100%
200%
400%

ISO sensitivity Bracketing

±1/3EV
±2/3EV
±1EV

White Balance Bracketing

±1
±2
±3

Focus Bracketing

AUTO
MANUAL

Multiple Exposure

Yes (Max. 9 frames)
Additive
Average
Bright
Dark

HDR Mode

AUTO
2
4
8
800% +

Advanced filter

Toy camera
Miniature
Pop color
High-key
Low-key
Dynamic tone
Soft focus
Partial color (Red / Orange / Yellow / Green / Blue / Purple)

Focus

Mode

Single AF
Continuous AF
MF

Type

Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)

AF frame selection

Single point AF

13×9 / 25×17 (Changeable size of AF frame)

Zone AF

3×3 / 5×5 / 7×7 / Custom1-3 from 117 areas on 13×9 grid

All

Yes

Subject detection

[“Yes (Animal\/Bird\/Automobile\/Motorcycle&Bike\/Airplane\/Train)”]

Flash

Shoe mount flash

Sync. Mode

1st Curtain

2nd Curtain

AUTO FP (HSS)

Flash Mode

TTL (TTL AUTO / STANDARD / SLOW SYNC. )

MANUAL

MULTI *When EF-X500 is set

OFF

Hot shoe

Yes (Dedicated TTL Flash compatible)

Viewfinder

EVF

0.39 inch OLED Color Viewfinder
Approx. 2.36 million dots

Coverage of Viewing Area vs. Capturing Area

Approx. 100%

Eyepoint

Approx. 17.5mm (from the Rear End of the Camera’s Eyepiece)

Diopter Adjustment

-4~+2m-1

Magnification

0.62x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1

Diagonal Angle of View

approx. 31° (Horizontal angle of view: approx. 26° )

Built-In Eye Sensor

LCD monitor

3.0 inch Tilt-Type Touch Screen Color LCD Monitor

Aspect Ratio

3:2

Dots

Approx. 1.84 million dots

Touch Screen Mode

Shooting Mode

Shooting

Focus Area

OFF

Double Tap Setting (ON/OFF)

Touch Function Setting (ON/OFF)

Touch Zoom (ON/OFF)

EVF Touch Screen Area Setting

Playback Mode

Swipe

Pinch-in / Pinch-out

Double-tap

Drag

Movie recording

File format

MOV

HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)

MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)

MP4

MPEG-4 AVC/H.264, AAC

Movie compression

All Intra

6.2K(16:9)

File size

6240 x 3510

Frame rate

29.97p
25p
24p
23.98p

Bitrate

360Mbps
200Mbps
100Mbps
50Mbps

DCI4K HQ(17:9)

File size

4096 x 2160

Frame rate

29.97p
25p
24p
23.98p

Bitrate

360Mbps
200Mbps
100Mbps
50Mbps

4K HQ(16:9)

File size

3840 x 2160

Frame rate

29.97p
25p
24p
23.98p

Bitrate

360Mbps
200Mbps
100Mbps
50Mbps

DCI4K(17:9)

File size

4096 x 2160

Frame rate

59.94p
50p
29.97p
25p
24p
23.98p

Bitrate

360Mbps
200Mbps
100Mbps
50Mbps

4K(16:9)

File size

3840 x 2160

Frame rate

59.94p
50p
29.97p
25p
24p
23.98p

Bitrate

360Mbps
200Mbps
100Mbps
50Mbps

Full HD(17:9)

File size

2048 x 1080

Frame rate

59.94p
50p
29.97p
25p
24p
23.98p

Bitrate

360Mbps
200Mbps
100Mbps
50Mbps

Full HD(16:9)

File size

1920 x 1080

Frame rate

59.94p
50p
29.97p
25p
24p
23.98p

Bitrate

360Mbps
200Mbps
100Mbps
50Mbps

Full HD(17:9) High speed rec.

File size

2048 x 1080

Frame rate

240p
200p
120p
100p

Bitrate

360Mbps (recording)
200Mbps (recording)

Full HD(16:9) High speed rec.

File size

1920 x 1080

Frame rate

240p
200p
120p
100p

Bitrate

360Mbps (recording)
200Mbps (recording)

Film simulation mode

20 modes

PROVIA/Standard

Velvia/Vivid

ASTIA/Soft

Classic Chrome

REALA ACE

PRO Neg.Hi

PRO Neg.Std

Classic Neg.

Nostalgic Neg.

ETERNA/Cinema

ETERNA BLEACH BYPASS

ACROS

ACROS + Ye Filter

ACROS + R Filter

ACROS + G Filter

Black & White

Black & White + Ye Filter

Black & White + R Filter

Black & White + G Filter

Sepia

Monochromatic Color

Yes

Grain Effect

Roughness

STRONG, WEAK, OFF

Size

LARGE, SMALL

Color Chrome Effect

STRONG, WEAK, OFF

Color chrome Blue

STRONG, WEAK, OFF

Smooth Skin Effect

STRONG, WEAK, OFF

Dynamic range setting

Still

AUTO / 100％ / 200％ / 400％　

ISO restriction

DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more

Movie

100％ / 200％ / 400％　

ISO restriction

DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more

White balance

Auto

White Priority
Auto
Ambience Priority

Custom

Custom1 – 3

Color temperature selection

2500K~10000K

Preset

Daylight
Shade
Fluorescent Light-1
Fluorescent Light-2
Fluorescent Light-3
Incandescent Light
Underwater

Clarity setting

±5 steps

Self-timer

Still

10sec.
2sec.

Movie

10sec.
5sec.
3sec.

Interval timer shooting

Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode)

Wireless transmitter

Standard

IEEE802.11a/b/g/n/ac (standard wireless protocol)

Encryption

WPA/WPA2 mixed mode, WPA3

Access mode

Infrastructure

Bluetooth®

Standartd

Bluetooth Ver. 4.2 (Bluetooth low energy)

Operating frequency (Center frequency)

2402〜2480MHz

Terminal

Digital interface

USB Type-C (USB3.2 Gen2x1)

HDMI output

HDMI Micro connector (Type D)

Others

ø3.5mm, stereo mini connector (Microphone)
Hot shoe

Power supply

NP-W126S Li-ion battery (included)

Battery life for still images

Economy Mode

Approx. 390 frames

Normal Mode

Approx. 305 frames

Notes

*When XF35mmF1.4 R is set

Actual battery life of movie capture

6.2K

Approx. 45min. (29.97p)

Approx. 45min. (59.94p)

Full HD

Approx. 45min. (59.94p)、Approx. 50min. (120P)

Notes

*Face detection is set to OFF

Continuance battery life of movie capture

6.2K

Approx. 70min. (29.97p)

Approx. 70min. (59.94p)

Full HD

Approx. 80min. (59.94p)

Notes

*Face detection is set to OFF
*Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.

Dimensions

Width

123.8mm

Height

84mm

Depth

48.8mm

(Minimum Depth)

(34.2mm)

Weight

including battery and memory card

Approx. 438g

excluding battery and memory card

Approx. 389g

Operation Environment

Operating Temperature

0℃～+40℃

Operating Humidity

10%~80% (no condensation)

Accessories included

Li-ion battery NP-W126S
USB cable
Headphone adapter
Shoulder strap
Body cap

Reviews

Simulate Life

438g

with battery
& card

7.0stops

In body
Stabilisation 1

40MP

8FPS BURST
SHOOTING

6.2K/30P

4:2:2 10-BIT
INTERNAL RECORDING

An instant classic

The Style of FUJIFILM X-T50

Classic Design

FUJIFILM X-T50 follows in the footsteps of the iconic X100VI with a classic, dial-based design. The compact body weighs just 438g (0.96lb) 1 and, thanks to ergonomic styling, it’s a joy to use wherever your creative journey takes you.

The Style of FUJIFILM X-T50

Rounded Body Shape

X-T50 incorporates a new, rounded body shape. While slightly larger than the predecessor X-T30 II model, the styling makes it feel small without compromising handling. The thumb rest extends smoothly outward compared to previous X Series models, providing an impressive overall feel and grip on the body.

The Style of FUJIFILM X-T50

Film Simulation Dial

X-T50 features an all-new Film Simulation dial. Positioned on the camera’s top-plate, the dial offers both popular presets and the opportunity to select a personalised favourite option via the custom setting. It’s never been easier for on-the-go creators to select one of 20 built-in unique Film Simulation modes, including the latest REALA ACE.

Rachel Claire | X-T50

Optimized for Creativity

Dial Operation

X-T50 houses shutter speed, exposure compensation, and all-new Film Simulation dials on the top-plate. Together with the aperture ring on most XF lenses, settings can be checked and adjusted, even without turning the camera on, leaving you to concentrate on what matters most: making the perfect image.

Optimized for Creativity

Electronic Viewfinder

X-T50 features a 2.36 million dot electronic viewfinder (EVF) with a 0.62x magnification ratio. The specially designed lens elements provide a high-definition live view, and includes an adjustable diopter control to provide a truly comfortable experience.

Optimized for Creativity

Tilting LCD

X-T50 incorporates a two-way tilting LCD, which offers complete versatility, particularly when working with the camera at waist level. The combination of tilting LCD and central viewfinder aligns the lens, camera, and photographer on the optical axis for comfortable, intuitive image making.

Processor & Sensor

Cutting Edge Image Quality

X-T50’s fifth-generation X-Trans CMOS 5 HR sensor, X-Processor 5 imaging engine, and up to 7.0-stop in-body image stabilization (IBIS) combine to deliver the highest image quality yet for X Series in a small, light body.

High Res 40.2MP BSI Imaging Sensor

X-Trans CMOS 5 HR

The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality.

Twice the processing speed of X-Processor 4

X-Processor 5

AI processing technology.
Next generation HEIF image file format.
Reduced power consumption.

Up to 7.0-Stop IBIS

Lightweight, High Performance

A five-axis in-body image stabilization (IBIS) system provides up to 7.0 stops of compensation. Despite this, the camera body only weighs 438g (0.96lb) including battery and memory card.

Improved Features

Subject Detection Autofocus

X-T50 uses X-Processor 5’s subject detection AF to accurately track a range of subjects. Built using deep-learning AI technology, it detects animals, birds, cars, motorcycles, bicycles, airplanes, trains, insects, and drones.2

Katelyn Neilsen | X-T50

Improved Features

Updated AF Algorithm

X-T50 incorporates an impressive autofocus prediction algorithm for reliable focusing even when recording continuously moving subjects. Autofocus enhancements are most notable in Zone AF and low-contrast situations.

Katelyn Neilsen | X-T50

Improved Features

ISO 125 Standard Sensitivity

The X-Trans CMOS 5 HR sensor in X-T50 has a light-efficient pixel structure. A setting of ISO 125, which on the prior FUJIFILM X-T30 II model was only an extended sensitivity option, is now available natively on the X-T50.

Improved Features

S/N Level / Low-Light Power

Lou Burton | X-T50

Expanding Your Creativity

Add extra options to your image-making journey by combining X-T50’s unique Film Simulation modes with other creative features. Use analog effects such as film grain, or boost color depth, clarity, or sharpness to elevate your images, and take full control of highlight and shadow tones to maximize your creative palette. A truly bespoke photographic adventure awaits.

Lou Burton | X-T50

Expanding Your Creativity

Film Simulation

The 20 Film Simulation modes offered by X-T50, including the latest REALA ACE, harness 90 years of Fujifilm color science, digitally replicating the look of classic photographic film stocks. Reproduce the classic colors and tones Fujifilm is renowned for, or add artistic flair to your photographic journey.

Katelyn Neilsen | X-T50

CLASSIC CHROME

Designed to reproduce a look similar to documentary magazines of the 20th century. Classic Chrome’s low saturation and hard tonal gradation in shadows make it a perfect choice for documentary photography with a touch of realism.

PROVIA/STANDARD

Based on FUJICHROME PROVIA, a reversal film designed for professional use, this Film Simulation mode caters for all subject types, offering a neutral color reproduction.

NOSTALGIC Neg.

Designed to recreate the look of images in old photo albums, NOSTALGIC Neg. produces images with rich colors in the shadows – and a soft tonality through the midtones and highlights.

ACROS

Based on ACROS, a monochrome film renowned for super-fine grain, this mode delivers rich shadow details and excellent sharpness, while still adding grain at high ISOs, and recreating the stunning textured feel of monochrome.

Expanding Your Creativity

Grain Effect

From subtle textures to the gritty look of traditional high-ISO film stocks, with X-T50 you can easily add natural-lookig grain to your photos. Control the strength and size for just the right amount of texture on any image.

Expanding Your Creativity

Clarity

The Clarity control lets you decide whether to recreate a scene with a crisp sharpness, defining edges and boosting contrast, or with a soft feel. With 11 levels of control, it’s easy to fine-tune to your personal taste and style.

Expanding Your Creativity

Color Chrome Effect

For highly saturated subjects, Color Chrome Effect adds depth, detail, and vibrancy in three strengths to red, green, or yellow tones where detail may otherwise be lost.

White Balance

Fine adjustments can be made to Auto White Balance (AWB) by selecting one of three modes: Auto, White Priority, and Ambience Priority. Set to White Priority, white is more likely to be accurately reproduced under incandescent lighting. However, when Ambience Priority is set, scenes will be photographed with the natural lighting characteristics of the scene preserved. Under incandescent lighting, this will generally result in images with warmer white tones.

AUTO Mode

In AUTO mode, the camera automatically recognizes and sets optimal exposure settings for any scene. It also features auto subject detection where the camera automatically detects and tracks the subject, keeping it in focus. This eliminates the need to adjust the subject detection settings manually for easy image making. The AUTO mode can also be used for video.

Multiple Exposure

Layer up to nine images in Additive, Average, Comparative Light or Comparative Dark modes to combine multiple viewpoints or different points in time. Various settings, including Film Simulation modes, can be applied to each exposure to produce a unique creative result completely in-camera.

Monochromatic Color

Monochromatic Color allows you to add subtle colour to monochrome images by choosing to emphasise Warm/Cool tones and Magenta/Green hues. It's the ideal way to add a personal touch to your black & white images.

Color Chrome FX Blue

Adds depth and naturally enhances the vividness of blue tones.

Improved Features

Video Functionality

X-T50 offers advanced video performance in a compact, lightweight body. Create movies up to 6.2K internally at 30p in 4:2:2 10-bit color. 4K/60p and high-speed 1080/240p are also available, maximizing video flexibility.

Video functionality

Improved Subject Tracking

Track subjects in your videos with ease. Select AF-C mode with Wide/Tracking AF, then simply touch the subject on the rear LCD. FUJIFILM X-T50 will track the object, even in situations where multiple subjects appear in the frame.

Video functionality

F-Log2 Support

In addition to F-Log, X-T50 also supports F-Log2, which records an expanded dynamic range of 13+ stops.3 This range is wider than current F-Log, broadening post-production potential.

Connectivity

Compatible With Frame.io Camera to Cloud

Create, share and collaborate in an instant with FUJIFILM X-T50’s native Frame.io Camera to Cloud technology. Wirelessly connect to an active internet connection, authenticate to Frame.io, and start uploading photos and videos at the moment of creation.

Connectivity

FUJIFILM XApp

X-T50 is compatible with FUJIFILM XApp, offering extended functionality and simple image transfer to your smartphone. Files can be shared between camera and smartphone quickly via Bluetooth, while the free, downloaded app also allows the camera to be operated remotely.

Compatible

Lenses

New