Discover X-T4 | Fujifilm AU House of Photography

Discontinued

PHOTOGRAPHY IN MOTION

Fujifilm X-T4 BLACK

$2,399.00

Tech Specs

Model name		FUJIFILM X-T4
Number of effective pixels		26.1 millions pixels
Image sensor		23.5mm x 15.6mm (APS-C) X-Trans CMOS 4 with primary color filter.
Sensor Cleaning system		Ultra Sonic Vibration
Storage media		SD memory card ( - 2GB) / SDHC memory card ( - 32GB) / SDXC memory card ( - 512GB)
		UHS-I / UHS-II / Video Speed Class V90 *1
File format of still image		JPEG: Exif Ver.2.3 *2 RAW: 14bit RAW (RAF original format) TIFF: 8/16bit RGB
Number of recorded pixels		[L]<3:2> 6240 x 4160 <16:9> 6240 x 3512 <1:1> 4160 x 4160
		[M]<3:2> 4416 x 2944 <16:9> 4416 x 2488 <1:1> 2944 x 2944
		[S]<3:2> 3120 x 2080 <16:9> 3120 x 1760 <1:1> 2080 x 2080
Lens mount		FUJIFILM X mount
Sensitivity	Standard output	AUTO1 / AUTO2 / AUTO3 (up to ISO12800) / ISO160 - 12800 (1/3 step)
	Extended output	ISO80 / 100 / 125 / 25600 / 51200
Exposure control		TTL 256-zone metering, Multi / Spot / Average / Center Weighted
Exposure mode		P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure)
Exposure compensation		-5.0EV - +5.0EV 1/3EV step (Movie: -2.0EV - +2.0EV)
Image stabilizer	Mechanism	Image sensor shift mechanism with 5-axis compensation
	Compensation Effect	Maximum 6.5 stops (based on CIPA standard. Pitch/yaw shake only.
	Digital Image Stabilization	Yes (movie mode only)
	IS MODE BOOST	Yes (movie mode only)
Shutter type		Focal Plane Shutter
Shutter speed	Mechanical Shutter	P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min.
	Electronic Shutter *3	P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: 1sec. Fixed
	Electronic front curtain shutter	P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min.
	Mechanical + Electronic shutter	P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min.
	E-front + Mechanical shutter	P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb mode: up to 60min. *Electronic front curtain shutter works until 1/2000sec.
	E-front + Mechanical + Electronic shutter	P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec.
	Movie	FHD: 1/8000sec. - 1/4sec. DCI4K/4K: 1/8000sec. - 1/24sec. (depends on the frame rate)
	Synchronized shutter speed for flash	1/250sec. or slower
Continuous shooting		Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (JPEG： 60 frames Lossless compressed RAW / Compressed RAW: 35 frames Uncompressed RAW： 33 frames)
		Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (JPEG： 114 frames Lossless compressed RAW / Compressed RAW: 37 frames Uncompressed RAW： 34 frames)
		Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (JPEG： 500 frames Lossless compressed RAW / Compressed RAW: 48 frames Uncompressed RAW： 39 frames)
		Approx. 20fps [Only electronic shutter ] (JPEG: 79 frames Lossless compressed RAW / Compressed RAW: 36 frames Uncompressed RAW: 34 frames)
		Approx. 15fps (JPEG: 110 frames Lossless compressed RAW / Compressed RAW: 38 frames Uncompressed RAW: 35 frames)
		Approx. 10fps (JPEG: 164 frames Lossless compressed RAW / Compressed RAW: 44 frames Uncompressed RAW: 37 frames)
		Approx. 8fps (JPEG: 200 frames Lossless compressed RAW / Compressed RAW: 49 frames Uncompressed RAW: 39 frames)
		Pre-shot: Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (max. 20 frames while half press, max. 20 frames after full press, total max. 40 frames)
		Pre-shot: Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (max. 20 frames while half press, max. 37 frames after full press, total max. 57 frames)
		Pre-shot: Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 300 frames after full press, total max. 310 frames)
		*Recordable frames depends on recording media
		*Speed of continuous shooting depends on shooting environment and shooting frames
Auto bracketing		AE Bracketing (Frames: 2, 3, 5, 7, 9 Step: by 1/3EV step, up to ±3EV steps)
		Filmsimulation bracketing (Any 3 types of film simulation selectable)
		Dynamic Range Bracketing (100%, 200%, 400%)
		ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV)
		White Balance Bracketing (±1, ±2, ±3)
		Focus Bracketing (AUTO, MANUAL)
Focus	Mode	Single AF / Continuous AF / MF
	Type	Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
	Low-light Performance	Contrast: -3.0EV Phase Detection: -7.0EV (XF50mmF1.0 attached)
	AF frame selection	Single point AF: EVF / LCD: 13 x 9 / 25 x 17 (Changeable size of AF frame) Zone AF: 3 x 3 / 5 x 5 / 7 x 7 from 91 areas on 13 x 9 grid Wide/Tracking AF *AF-S: Wide / AF-C: Tracking All
White balance		Auto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY), / Custom1 - 3 / Color temperature selection (2500K - 10000K) / Preset: Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater
Self-timer		10sec. / 2sec.
Interval timer shooting		Yes (Setting: Interval, Number of shots, Starting time)
Flash modes	SYNC. MODE	1ST CURTAIN / 2ND CURTAIN / AUTO FP(HSS) (excl. EF-X8)
	FLASH MODE	TTL (TTL AUTO (P mode) / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF (When EF-X8 is set) TTL (TTL AUTO (P mode) / STANDARD / SLOW SYNC. ) / MANUAL / MULTI / OFF (When SHOE MOUNT FLASH is set)
Hot shoe		Yes (Dedicated TTL Flash compatible)
Viewfinder		0.5 inch approx. 3.69 millions dots OLED Color Viewfinder Coverage of viewing area vs. capturing area: approx. 100% Eyepoint: approx. 23mm (from the eyepiece lens) Diopter adjustment: -4 - +2m-1 (lockable) Magnification: 0.75x with 50mm lens (35mm equivalent) at infinity and diopter set to -1m-1 Diagonal angle of view: approx. 38° (Horizontal angle of view: approx. 30° ) Built-in eye sensor
LCD monitor		3.0 inch, aspect ratio 3:2, approx. 1.62 millions dots touch screen color LCD monitor(approx. 100% coverage)
Movie recording	File format	MOV (MPEG-4 AVC/H.264, HEVC/H.265, Audio: Linear PCM / Stereo sound 24bit / 48KHz sampling) MP4 (MPEG-4 AVC/H.264, Audio: AAC)
	Movie compression	All Intra/Long-GOP * All Intra can be used with following settings. DCI4K/4K 29.97p/25p/24p/23.98p 400Mbps Full HD(2048 x 1080)/ Full HD(1920 x 1080) 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps
	File size Frame rate Recording time	[DCI 4K(4096 x 2160)] 59.94p/50p/29.97p/25p/24p/23.98p 400Mbps/200Mbps/100Mbps 59.94p/50p: up to approx. 20min. 29.97p/25p/24p/23.98p: up to approx. 30min [4K(3840 x 2160)] 59.94p/50p/29.97p/25p/24p/23.98p 400Mbps/200Mbps/100Mbps 59.94p/50p: up to approx. 20min. 29.97p/25p/24p/23.98p: up to approx. 30min [Full HD(2048 x 1080)] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps up to approx. 30min. [Full HD(1920 x 1080)] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps up to approx. 30min. [Full HD(1920 x 1080) High speed rec.] 240p / 200p 200Mbps(recording) up to approx. 3min. 120p / 100p 200Mbps(recording) up to approx. 6min. For recording movies, use a SD memory card with UHS Speed Class 3 or higher. For recording movies in 400Mbps, use a SD memory card with Video Speed Class 60 or higher. Recording movies in 400Mbps can be done with DCI4K/4K 29.97p/25p/24p/23.98p. DCI4K 59.94p/50p is not available when H.264 is selected. *In case of a shooting under high temperature and/or repeated shootings, the recording time can become short.
Film simulation mode		18 modes (PROVIA/STANDARD, Velvia/VIVID, ASTIA/SOFT, CLASSIC CHROME, PRO Neg. Hi, PRO Neg. Std, CLASSIC Neg., ETERNA/CINEMA, ETERNA BLEACH BYPASS, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter, MONOCHROME, MONOCHROME+Ye Filter, MONOCHROME+R Filter, MONOCHROME+G Filter, SEPIA) Monochromatic Color
Clarity setting		±5 steps
HDR mode		AUTO, 200%, 400%, 800%, 800% +
Grain effect		Roughness: STRONG, WEAK, OFF Size: LARGE, SMALL
Color chrome effect		STRONG, WEAK, OFF
Color chrome Blue		STRONG, WEAK, OFF
Dynamic range setting	Still	AUTO, 100%, 200%, 400% ISO restriction (DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more)
	Movie	100%, 200%, 400% ISO restriction (DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more)
Advanced filter		Toy camera, Miniature, Pop color, High-key, Low-key, Dynamic tone, Soft focus, Partial color (Red / Orange / Yellow / Green / Blue / Purple)
Wireless transmitter	Standard	IEEE802.11b/g/n (standard wireless protocol)
	Encryption	WEP / WPA / WPA2 mixed mode
	Access mode	Infrastructure
Bluetooth®	Standard	Bluetooth Ver 4.2 (Bluetooth low energy)
	Operating frequency (Center frequency)	2402 - 2480MHz
Terminal	Digital interface	USB Type-C (USB3.2 Gen1 x 1)
	HDMI output	HDMI micro connector (Type D)
	Other	ø3.5mm, stereo mini connector (Microphone) / ø2.5mm, Remote Release Connector, Hot shoe, Synchronized terminal
Power supply		NP-W235 Li-ion battery (included)
	Battery life for still images*4	Approx. 600 frames (Economy Mode), approx. 500 frames (Normal Mode) When XF35mmF1.4 R is set.
	Actual battery life of movie capture4 Face detection is set to OFF	[4K] approx. 85min. (29.97p) [Full HD] approx. 95min. (59.94p)
	Continuance battery life of movie capture4 Face detection is set to OFF	[4K] approx. 110min. (29.97p) [Full HD] approx. 130min. (59.94p)
Dimensions		(W) 134.6mm x (H) 92.8mm x (D) 63.8mm (minimum depth 37.9mm)
Weight		Approx. 607g (including battery and SD memory card) Approx. 526g (excluding battery and SD memory card)
Operation Environment	Operating Temperature	-10°C - +40°C
	Operating Humidity	10% - 80% (no condensation)
Starting up period		Approx. 0.39sec.
Accessories included		Li-ion battery NP-W235 AC power adapter Plug adapter USB cable Headphone adapter Shoulder strap Body cap Hot shoe cover Vertical Grip connector cover Memory card slot cover Sync terminal cover

Reviews

Photography
in Motion

The X-T4 uses the 4th generation X-Trans CMOS 4 sensor, X-Processor 4, a compact in-body image stabilisation (IBIS) system. This camera delivers image quality that can satisfy the demands of professional photographers and videographers.

6.5STOPS

In body
Stabilisation 1

26MP

15FPS BURST
SHOOTING

607g

with battery
& card

4K/60P

4:2:0 10-BIT
INTERNAL RECORDING

-10°C

Weather
Resistant

Performance.
Durability.
Colour.

Powerful Performance

Processor & Sensor

The X-T4 utilises the high-speed performance of the X Trans CMOS 4, which is a back-illuminated structure and features phase-detection pixels across the entire sensor. Combined with a new advanced AF algorithm and the X Processor 4, the camera delivers exceptional autofocus performance.

Autofocus performance

Colour & shape tracking

The tracking AF algorithm uses colour information and the subject shape to lock on, maintaining accurate and instantaneous focus.

Daniel Malykar | X-T4

Autofocus Performance

Accurate in low light

X-T4’s performance in low light thanks to the AF system, which works down to -7.0EV at almost complete darkness. The phase detection AF system is fast and accurate even in these low light conditions.

Autofocus Performance

Face & eye tracking

Track people’s face and eyes while shooting in burst mode. The X-T4 will capture the face and eye even when the subject is constantly moving across the entire frame.

Magic Liwanag | X-T4

Zak Heinz | X-T4

Zac Heinz | X-T4

Ready When you Are

Weather resistant

The X-T4 has 63 weather sealed points which gives it the advanced level of dust- and moisture resistance. You can shoot without concern, knowing that the camera operates in temperatures as low as -10 degrees Celsius and in tough conditions like rain or in clouds of dust.

Ready when you are

Stabilise the shakes

The image stabilisation unit has been dramatically reduced in size (30% smaller and 20% lighter), without compromising the performance. The unit uses magnets instead of springs and high-performance gyro sensors to improve accuracy 8 times better compared to what X-H1 adopted.

Colour Mastery

Tone adjustment

Highlight and shadow tones can be adjusted by 1/2 stops, instead of full stops, capturing scenes exactly as you have imagined them. This can be used in combination with Film Simulations, to significantly reduce post processing time.

Pål Laukli | X-T4

Colour Mastery

Auto white balance

The Auto White Balance(AWB) can be set to “AUTO,” “White Priority” or “Ambience Priority”. In scenes lit by incandescent bulbs, the camera would choose for whiter whites when set to “White Priority” and warmer whites when set to “Ambience Priority”.

Colour Mastery

Eterna bleach bypass

With colour comes creativity and the Fujifilm X-T4 gives photographers endless ways to express themselves. The X-T4 was the first camera to feature the “ETERNA BLEACH BYPASS” Film Simulation mode, to give both film and stills a more artistic look, with images having reduced saturation and increased contrast.

Pål Laukli | X-T4

Colour Mastery

Film simulations

Fujifilm has a long standing history of perfecting colour. Over the past 85 years, Fujifilm has continuously evolved and moved with the changes in technology and adapted its legendary film simulations to digital cameras.

Zak Heinz | X-T4

Acros

Based on ACROS, a monochrome film renowned for its super fine grain, this Film Simulation mode delivers rich shadow details and excellent sharpness, while still being able to add grain at high ISOs to produce the stunning textural feel of monochrome films.

ETERNA BLEACH BYPASS

This Film Simulation mode applies a Bleach Bypass effect to the ETERNA/CINEMA mode. This creates a high-contrast and low-saturation look which gives a touch of profoundness, loved by many filmmakers, which is perfect for a more dramatic edit.

Eterna

Based on ETERNA, a film designed for motion pictures, this Film Simulation mode minimises saturation to ensure that none of the colours stand out. It provides an extremely soft tonal gradation in highlights and deep shadows to prevent clipping, to reproduce a cinematic look.

Velvia

Based on FUJICHROME Velvia, an ultra vivid reversal film designed for professional use, this Film Simulation mode provides richer and high-contrast colours than the standard “PROVIA/STANDARD,” normally used by landscape photographers.

Movie Mode

Uncompromising video capabilities

The STILL / MOVIE lever on the top panel and video-specific menu, facilitate fuss-free switching between photo and video recording. The addition of the video-only Quick Menu (Q Menu) button has enhanced the camera’s functionality while recording video as well. Video settings can be changed using the touchscreen panel or the front/rear command dials during video recording.