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Fujifilm GFX100S

Sale price$9,499.00

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Tech Specs

Model nameFUJIFILM GFX100S
Lens MountFUJIFILM G mount
Image sensor43.8mm×32.9mm Bayer array with primary color filter
Number of effective pixels102 million pixels
Sensor Cleaning SystemUltra Sonic Vibration
Image Processing EngineX-Processor 4
Storage mediaSD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90*1
File format of still imageDCFCompliant with Design rule for Camera File system (DCF2.0)
JPEGExif Ver.2.32 *2
RAW16bit / 14bit RAW (RAF original format)
TIFF8bit / 16bit RGB (In-camera Raw Conversion Only)
Number of recorded pixels[L]〈4:3〉 11648×8736 〈3:2〉 11648×7768 〈16:9〉 11648×6552 〈1:1〉 8736×8736
  〈65:24〉 11648×4304 〈5:4〉 10928×8736 〈7:6〉 10192×8736
[M]〈4:3〉 8256×6192 〈3:2〉 8256×5504 〈16:9〉 8256×4640 〈1:1〉 6192×6192
  〈65:24〉 8256×3048 〈5:4〉 7744×6192 〈7:6〉 7232×6192
[S]〈4:3〉 4000×3000 〈3:2〉 4000×2664 〈16:9〉 4000×2248 〈1:1〉 2992×2992
  〈65:24〉 4000×1480 〈5:4〉 3744×3000 〈7:6〉 3504×3000
SensitivityStill ImageStandard Output: AUTO1 / AUTO2 / AUTO3 / ISO100~12800 (1/3 step)
Extended Output: ISO50 / ISO25600 / ISO51200 / ISO102400
MovieStandard Output: AUTO / ISO200~12800 (1/3 step)
Extended Output: ISO25600
Exposure controlTTL 256-zone metering / Multi / Spot / Average / Center Weighted
Exposure modeP (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure)
Exposure compensationStill-5.0EV~+5.0EV 1/3EV step
Movie-2.0EV~+2.0EV 1/3EV step
Image stabilizerMechanismImage sensor shift mechanism with 5-axis compensation
Compensation Effect6.0 stops
*based on CIPA standard
*Pitch/yaw shake only
*With GF63mmF2.8 R WR lens mounted
Digital Image StabilizationYes (movie mode only)
IS MODE BOOSTYes (movie mode only)
Shutter typeFocal Plane Shutter
Shutter speedMechanical shutterP mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec.
S/M mode: 60min. to 1/4000sec. Bulb: up to 60min.
Electronic shutterP mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.
S/M mode: 60min. to 1/16000sec. Bulb: up to 60min.
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
Mechanical + Electronic shutterP mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.
S/M mode: 60min. to 1/16000sec. Bulb: up to 60min.
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
Electronic Front Curtain ShutterP mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec.
S/M mode: 60min. to 1/4000sec. Bulb: up to 60min.
*Electronic front curtain shutter works until 1/1250sec.
*When using the electronic front curtain shutter, the continuous shooting supports CL only
Electronic Front Curtain Shutter + Electronic ShutterP mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.
S/M mode: 60min. to 1/16000sec. Bulb: up to 60min.
*Electronic front curtain shutter works until 1/1250sec, Mechanical shutter works until 1/4000sec.
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
*When using the electronic front curtain shutter, the continuous shooting supports CL only
MovieDCI4K/4K: 1/4000sec. - 1/4sec. FHD: 1/4000sec. - 1/4sec.
*Cannot choose slower shutter speed than framerate with LongGOP recording.
Synchronized shutter speed for flash1/125sec. or slower
Continuous shootingCH Electronic shutter 2.9fps (JPEG: 64 frames, Compressed RAW: 23frames, Lossless compressed RAW: 18 frames, Uncompressed RAW: 15 frames)
CH 5.0fps (JPEG: 42 frames, Compressed RAW: 16 frames, Lossless compressed RAW: 15 frames, Uncompressed RAW: 14 frames)
CL 2.0fps (JPEG: Endless, Compressed RAW: 45 frames, Lossless compressed RAW: 22 frames, Uncompressed RAW: 16 frames)
*Electronic Front Curtain Shutter support CL only.
*Recordable frames depends on recording media.
*Speed of continuous shooting depends on shooting environment and shooting frames.
Drive ModeAE Bracketing2 frames / 3 frames / 5 frames / 7 frames / 9 frames
*by 1/3EV step, up to ±3EV steps
Filmsimulation bracketingAny 3 types of film simulation selectable
Dynamic Range Bracketing100% / 200% / 400%
ISO sensitivity Bracketing±1/3EV / ±2/3EV / ±1EV
White Balance Bracketing±1 / ±2 / ±3
Focus BracketingAUTO / MANUAL
Multiple ExposureYes (Max. 9 frames) / Additive / Average / Bright / Dark
Pixel Shift Multi ShotYes
FocusModeSingle AF / Continuous AF / MF
TypeIntelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
Low-light PerformanceContrast: -2.5EV / GF80mmF1.7 attached
Phase Detection: -5.5EV / GF80mmF1.7 attached
AF frame selectionSingle point AF: 13x9 / 25x17 (Changeable size of AF frame)
Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid
Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking)
All: Yes
Face/eye detectionYes
FlashSync. Mode1st Curtain / 2nd Curtain / AUTO FP (HSS)
Hot shoeYes (Dedicated TTL Flash compatible)
ViewfinderEVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots
Coverage of Viewing Area vs. Capturing Area: Approx. 100%
Eyepoint: Approx. 23mm (from the Rear End of the Camera's Eyepiece)
Diopter Adjustment: -4~+2m-1
Magnification: 0.77x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View: approx. 38° (Horizontal angle of view: approx. 30° )
Built-In Eye Sensor
LCD monitor3.2 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor
Aspect Ratio: 4:3
Dots: Approx. 2.36 million dots
Touch Screen ModeShooting ModeAF, Focus Area, OFF, Double Tap Setting, Touch Function Setting, EVF Touch Screen Area Setting
Playback ModeSwipe, Pinch-in / Pinch-out, Double-tap, Drag
Sub LCD monitor1.80 inch Monochrome LCD Monitor
Aspect Ratio: 4:3
Dots: 303x230-dot
Movie recordingFile formatMOV:
HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)

Movie compressionAll Intra / Long GOP
*All Intra can be used with following settings.
DCI4K/4K 29.97p/25p/24p/23.98p 400Mbps
Full HD(2048x1080) / Full HD(1920×1080) 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps
File size
Frame rate
Recording time
[DCI4K(17:9)] 4096×2160 29.97p/25p/24p/23.98p 400Mbps/200Mbps/100Mbps Up to 120min.
[4K(16:9)] 3840×2160 29.97p/25p/24p/23.98p 400Mbps/200Mbps/100Mbps Up to 120min.
[Full HD(17:9)] 2048×1080 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps Up to 120min.
[Full HD(16:9)] 1920×1080 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps Up to 120min.
*For recording movies, use a SD memory card with UHS Speed Class 3 or higher.
*For recording movies in 400Mbps, use a SD memory card with Video Speed Class 60 or higher.
*Recording movies in 400Mbps can be done with DCI4K/4K 29.97p/25p/24p/23.98p.
*Recording time can become short depending on the temperature and/or shooting conditions.
Monochromatic ColorYes
Grain EffectRoughness: STRONG, WEAK, OFF
Color Chrome EffectSTRONG, WEAK, OFF
Color chrome BlueSTRONG, WEAK, OFF
Smooth Skin EffectSTRONG, WEAK, OFF
Dynamic range settingStillAUTO / 100% / 200% / 400%
ISO restriction: DR100%: No limit, DR200%: ISO200 or more, DR400%: ISO400 or more
Movie100% / 200% / 400%
ISO restriction: DR100%: No limit, DR200%: ISO400 or more, DR400%: ISO800 or more
White balanceAutoWhite Priority / Auto / Ambience Priority
CustomCustom1 - 3
Color temperature selection2500K~10000K
PresetFine / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater
Clarity setting±5 steps
Self-timer10sec. / 2sec.
Interval timer shootingYes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing)
Wireless transmitterStandardIEEE802.11b/g/n (standard wireless protocol)
EncryptionWEP / WPA / WPA2 mixed mode
Access modeInfrastructure
Bluetooth®StandartdBluetooth Ver. 4.2 (Bluetooth low energy)
Operating frequency (Center frequency)2402〜2480MHz
TerminalDigital interfaceUSB Type-C (USB3.2 Gen1x1)
HDMI outputHDMI Micro connector (Type D)
Othersø3.5mm, stereo mini connector (Microphone)
ø3.5mm, stereo mini connector (Headphone)
ø2.5mm, Remote Release Connector
Hot shoe
Synchronized terninal
Power supplyNP-W235 Li-ion battery (included)
Battery life for still images*3Normal Mode: Approx. 460 frames
*When GF63mmF2.8 R WR is set
Actual battery life of movie capture*34K: Approx. 60min. (29.97p)
Full HD: Approx. 65min. (59.94p)
*Face detection is set to OFF
Continuance battery life of movie capture
4K: Approx. 95min. (29.97p)
Full HD: Approx. 110min. (59.94p)
*Face detection is set to OFF
DimensionsWidth: 150.0mm
Height: 104.2mm
Depth: 87.2mm
(Minimum Depth) 44.0mm
Weightincluding battery and SD memory card: Approx. 900g
excluding battery and SD memory card: Approx. 819g
Operation EnvironmentOperating Temperature-10°C - +40°C
Operating Humidity10% - 80% (no condensation)
Starting up periodApprox. 0.5sec.
Accessories includedLi-ion battery NP-W235
AC power adapter AC-5VJ
Plug adapter
USB cable
Shoulder strap
Body cap
Hot shoe cover
Cable protector


More than full frame

As photographers, we strive for perfection, constantly searching for the highest image quality and optimum control in what we create. GFX100S combines these two invaluable attributes in one remarkably compact and lightweight body. It is an imaging tool like no other; a new generation of large format camera to suit a new generation of creatives.


with battery
& card


In body






4:2:0 10-BIT

Image quality.
Optimum control.

4th Generation

Processor & sensor

43.8mm x 32.9mm SENSOR

1.7x the size of full frame 2

102MP resolution capability is packed in the imaging sensor, making the Fujifilm GFX100S an ultra-high resolution camera, able to capture outstanding detail. The combination of Fujifilm’s optics and sensor technology are the perfect combination that will set your images apart. From the eyelashes in a portrait to the delicate blades of grass in landscape photography, the GFX100S will help you frame every detail.

X-Processor 4

Powerful Processing Engine

Reliable Processor = Reliable Performance. Powered by an X-Processor 4, the Fujifilm GFX100S has a resolving power to deliver stunning, high-quality images. The main features of the processor are ‘SPEED’ AND ‘COLOUR REPRODUCTION’ which ultimately help photographers excel in the creative process.


More tone than full frame

GFX100S delivers wonderfully smooth tones with incredibly subtle colour gradations, thanks to advanced sensor technology that produces exceptional results. The back-illuminated design allows light to hit the sensor more directly to produce images with more detail and less overall noise. 

Ji Guo | GFX100S
Ji Guo | GFX100S
Ji Guo | GFX100S
Ji Guo | GFX100S

Preserve for the future

Pixel shift

The Pixel-Shift Multi-Shot function combines 16 RAW files to create a single 400MP image that reproduces the finest details with ultimate colour accuracy. Images are created by moving the imaging sensor to record red, green and blue data from every pixel. This process results in unparalleled colour reproduction and is perfect for archiving works of art, preserving cultural assets, or for any application that requires immense colour fidelity and sumptuous detail.

Capture Detail where it matters

FUJINON G Mount lenses

The 102-megapixel large format sensor works in harmony with G Mount lenses to produce images with incredible detail, beautifully smooth gradations, and wonderfully accurate colours, all while ensuring that you are at the centre of your creative universe. There’s honestly no better way to realise your vision. GFX100S is not full-frame. It is so much more than that.

Xiaoyi Zhang | GFX100S
Xiaoyi Zhang | GFX100S

Ready when you are

One camera, flexible uses

Whether you are scrambling after a couple to frame their perfect moment or trekking through the wilderness to document nature’s biggest secrets, rest assured that GFX100S has your back when you get there. Its compact size and powerful in-body image stabilisation (IBIS) will help make handheld images pin-sharp, while a cutting-edge focus algorithm and phase detection autofocus (PDAF) pixels across the entire frame deliver fast and accurate autofocus. Be confident that you’ll never miss the moment, no matter how fleeting it may be.

Weather resistant

Tough camera body

Incredibly light, yet impressively durable, the camera body is made from magnesium alloy and designed to meet the demands of day to day use. It is also thicker by 1mm around the lens mount to provide additional rigidity and support, which is essential when using larger G Mount prime and zoom lenses. Thanks to a camera body that is sealed in 60 different places, GFX100S can easily shrug off the most challenging weather and environments. It can operate in temperatures as low as -10°C (14°F) and is both dust- and moisture-resistant.

Large format camera body

Compact and Portable

With GFX100S, there are no compromises, not even with weight. At just 900g, it’s compact enough to carry with you wherever you go and with its secure grip and ergonomic button and dial layout, comfortable in-hand to let you focus on making your best images.

Achieve Sharp ultra-high quality photos without a tripod

five-axis stabilisation

Despite it being almost twice the physical size of any full-frame imaging sensor, GFX100S houses its 102MP Bayer array inside of a compact, weather-resistant camera body that is smaller in size than some Full Frame cameras. It also somehow does this with enough room left over to pack in a five-axis image stabilisation system that provides up to six stops of vibration compensation 3. It’s time to move away from the tripod, have the confidence to work handheld in large format, and be safe in the knowledge that the results will be as sharp and detailed as they would be if the camera were locked and stationary on a support.

Michael Clark | GFX100S
Michael Clark | GFX100S


Focus for any occasion

GFX100S redefines what is possible in terms of autofocus speed and accuracy for large format cameras. With highly accurate phase detection pixels across approximately 100% of the frame, reliable Face/Eye detection, responsive subject tracking for moving subjects, and incredible low-light focusing capabilities, this is truly a camera for any focusing occasion.

Enhanced face and eye

GFX100S uses an advanced Face and Eye Detection autofocus algorithm to ensure portrait images are perfectly in focus, even when using wide apertures to create images with shallow depth-of-field.

Great low-light

Combine GFX100S with GF80mmF1.7 R WR and achieve focus in light levels as low as -5.5EV through the camera’s phase detection autofocus pixels, which deliver fast and accurate AF performance reliably. 4

Faster AutoFocus

A revised focusing algorithm means GFX100S can easily stay focused on a moving subject. Simply align the focusing point over the subject and wide/tracking mode will ensure subjects stay sharp as they move around the frame.

Image Quality

More bokeh than full frame 5

Set your portrait photography apart from full-frame users by making the move to large format digital and combining GFX100S with GF80mmF1.7 R WR or GF110mmF2 R LM WR to produce images that have a unique look. See how these combinations separate their subjects from their backgrounds and create an almost three-dimensional quality to the image, full-frame users will be hard-pressed to create images of the same aesthetic quality. 


More than just stills

GFX100S isn’t just a remarkable camera for stills photographers, it offers broadcast-quality video capture, too, making it a truly multifaceted marvel. Record up to 4K/30p footage in 10-bit F-Log or 12-bit Apple ProRes RAW, with an incredibly beautiful depth-of-field, for a look that is made for the silver screen. Switched to movie mode, filmmakers can create naturally cinematic footage and record richly detailed 4K/30p movies with a shallow depth-of-field, wide tonal gradation, and impressive ISO sensitivity in either 10-bit F-log or 12-bit ProRes RAW. 


Colour mastery

Fujifilm’s expertise in colour science is legendary among image makers. For more than 85 years, it has been responsible for some of the world’s most iconic photographs and movies. GFX100S gives you access to this wealth of experience at the touch of a button, powered by one of the world’s most widely acclaimed digital colour processing engines. With a choice of 19 exclusive Fujifilm Film Simulation modes, it is easy to achieve fantastic colour, instantly, straight out of camera.

Ivan Joshua Loh | GFX100S
Ivan Joshua Loh | GFX100S


Based on ACROS, a monochrome film renowned for super fine grain, this Film Simulation mode delivers rich shadow details and excellent sharpness, while still adding grain at high ISOs, and recreating the stunning textural feel of monochrome.


This Film Simulation mode applies a Bleach Bypass effect to the ETERNA/CINEMA mode. It produces a high-contrast, low-saturation look, creating a touch of depth loved by many filmmakers. Perfect for a more dramatic edit.


This Film Simulation mode is designed to reproduce a look that is similar to documentary magazines of the 20th century. Its low-saturation and hard tonal gradation in shadows make it a perfect choice for documentary photography with a touch of realism.


Based on FUJICHROME PROVIA, a reversal film designed for professional use, this Film Simulation mode caters for all subject types, offering a neutral colour reproduction.


This mode adds a warm tone across the frame for a vintage look. When applied to a retro subject, it creates a fittingly nostalgic finish.

More than full frame

GFX System

Large format mirrorless digital camera system, achieving high level image quality.

Shop Live with Fujifilm

Personalised Advice

Connect live with the Fujifilm House of Photography team for tailored advice, product suggestions or to see products up-close, via messaging and video chat. 

1. Based on CIPA standard
2. GFX100S’s image sensor measures 55mm diagonally (43.8mm x 32.9mm), providing approx. 1.7 times the area of the 35mm full-frame sensor.
3. Based on CIPA standard
4. Equipped with GF80mmF1.7 R WR
5. When compared to full-frame imaging sensors and their aggregate performance regarding the features.