Discover GFX100S | Fujifilm AU House of Photography

MORE THAN FULL FRAME

Fujifilm GFX100S

$9,499.00

Tech Specs

Model name		FUJIFILM GFX100S
Lens Mount		FUJIFILM G mount
Image sensor		43.8mm×32.9mm Bayer array with primary color filter
Number of effective pixels		102 million pixels
Sensor Cleaning System		Ultra Sonic Vibration
Image Processing Engine		X-Processor 4
Storage media		SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90*1
File format of still image	DCF	Compliant with Design rule for Camera File system (DCF2.0)
	JPEG	Exif Ver.2.32 *2
	RAW	16bit / 14bit RAW (RAF original format)
	TIFF	8bit / 16bit RGB (In-camera Raw Conversion Only)
Number of recorded pixels		［L］〈4:3〉 11648×8736 〈3:2〉 11648×7768 〈16:9〉 11648×6552 〈1:1〉 8736×8736 　　〈65:24〉 11648×4304 〈5:4〉 10928×8736 〈7:6〉 10192×8736 ［M］〈4:3〉 8256×6192 〈3:2〉 8256×5504 〈16:9〉 8256×4640 〈1:1〉 6192×6192 　　〈65:24〉 8256×3048 〈5:4〉 7744×6192 〈7:6〉 7232×6192 ［S］〈4:3〉 4000×3000 〈3:2〉 4000×2664 〈16:9〉 4000×2248 〈1:1〉 2992×2992 　　〈65:24〉 4000×1480 〈5:4〉 3744×3000 〈7:6〉 3504×3000
Sensitivity	Still Image	Standard Output: AUTO1 / AUTO2 / AUTO3 / ISO100~12800 (1/3 step) Extended Output: ISO50 / ISO25600 / ISO51200 / ISO102400
	Movie	Standard Output: AUTO / ISO200~12800 (1/3 step) Extended Output: ISO25600
Exposure control		TTL 256-zone metering / Multi / Spot / Average / Center Weighted
Exposure mode		P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure)
Exposure compensation	Still	-5.0EV~+5.0EV　1/3EV step
	Movie	-2.0EV~+2.0EV 1/3EV step
Image stabilizer	Mechanism	Image sensor shift mechanism with 5-axis compensation
	Compensation Effect	6.0 stops based on CIPA standard Pitch/yaw shake only *With GF63mmF2.8 R WR lens mounted
	Digital Image Stabilization	Yes (movie mode only)
	IS MODE BOOST	Yes (movie mode only)
Shutter type		Focal Plane Shutter
Shutter speed	Mechanical shutter	P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min. to 1/4000sec. Bulb: up to 60min.
	Electronic shutter	P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec. S/M mode: 60min. to 1/16000sec. Bulb: up to 60min. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
	Mechanical + Electronic shutter	P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec. S/M mode: 60min. to 1/16000sec. Bulb: up to 60min. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
	Electronic Front Curtain Shutter	P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min. to 1/4000sec. Bulb: up to 60min. Electronic front curtain shutter works until 1/1250sec. When using the electronic front curtain shutter, the continuous shooting supports CL only
	Electronic Front Curtain Shutter + Electronic Shutter	P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec. S/M mode: 60min. to 1/16000sec. Bulb: up to 60min. Electronic front curtain shutter works until 1/1250sec, Mechanical shutter works until 1/4000sec. The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. *When using the electronic front curtain shutter, the continuous shooting supports CL only
	Movie	DCI4K/4K: 1/4000sec. - 1/4sec. FHD: 1/4000sec. - 1/4sec. *Cannot choose slower shutter speed than framerate with LongGOP recording.
	Synchronized shutter speed for flash	1/125sec. or slower
Continuous shooting		CH Electronic shutter 2.9fps (JPEG: 64 frames, Compressed RAW: 23frames, Lossless compressed RAW: 18 frames, Uncompressed RAW: 15 frames) CH 5.0fps (JPEG: 42 frames, Compressed RAW: 16 frames, Lossless compressed RAW: 15 frames, Uncompressed RAW: 14 frames) CL 2.0fps (JPEG: Endless, Compressed RAW: 45 frames, Lossless compressed RAW: 22 frames, Uncompressed RAW: 16 frames) Electronic Front Curtain Shutter support CL only. Recordable frames depends on recording media. *Speed of continuous shooting depends on shooting environment and shooting frames.
Drive Mode	AE Bracketing	2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps
	Filmsimulation bracketing	Any 3 types of film simulation selectable
	Dynamic Range Bracketing	100% / 200% / 400%
	ISO sensitivity Bracketing	±1/3EV / ±2/3EV / ±1EV
	White Balance Bracketing	±1 / ±2 / ±3
	Focus Bracketing	AUTO / MANUAL
	Multiple Exposure	Yes (Max. 9 frames) / Additive / Average / Bright / Dark
	Pixel Shift Multi Shot	Yes
Focus	Mode	Single AF / Continuous AF / MF
	Type	Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
	Low-light Performance	Contrast: -2.5EV / GF80mmF1.7 attached Phase Detection: -5.5EV / GF80mmF1.7 attached
	AF frame selection	Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes
	Face/eye detection	Yes
Flash	Sync. Mode	1st Curtain / 2nd Curtain / AUTO FP (HSS) When SHOE MOUNT FLASH is set TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI / OFF
Hot shoe		Yes (Dedicated TTL Flash compatible)
Viewfinder		EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 23mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -4～+2m-1 Magnification: 0.77x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 38° (Horizontal angle of view: approx. 30° ) Built-In Eye Sensor
LCD monitor		3.2 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 4:3 Dots: Approx. 2.36 million dots
Touch Screen Mode	Shooting Mode	AF, Focus Area, OFF, Double Tap Setting, Touch Function Setting, EVF Touch Screen Area Setting
	Playback Mode	Swipe, Pinch-in / Pinch-out, Double-tap, Drag
Sub LCD monitor		1.80 inch Monochrome LCD Monitor Aspect Ratio: 4:3 Dots: 303x230-dot
Movie recording	File format	MOV: HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC
	Movie compression	All Intra / Long GOP *All Intra can be used with following settings. DCI4K/4K 29.97p/25p/24p/23.98p 400Mbps Full HD(2048x1080) / Full HD(1920×1080) 59.94p/50p/29.97p/25p/24p/23.98p　200Mbps
	File size Frame rate Bitrate Recording time	[DCI4K(17:9)] 4096×2160　29.97p/25p/24p/23.98p　400Mbps/200Mbps/100Mbps　Up to 120min. [4K(16:9)] 3840×2160　29.97p/25p/24p/23.98p　400Mbps/200Mbps/100Mbps　Up to 120min. [Full HD(17:9)] 2048×1080　59.94p/50p/29.97p/25p/24p/23.98p　200Mbps/100Mbps/50Mbps　Up to 120min. [Full HD(16:9)] 1920×1080　59.94p/50p/29.97p/25p/24p/23.98p　200Mbps/100Mbps/50Mbps　Up to 120min. For recording movies, use a SD memory card with UHS Speed Class 3 or higher. For recording movies in 400Mbps, use a SD memory card with Video Speed Class 60 or higher. Recording movies in 400Mbps can be done with DCI4K/4K 29.97p/25p/24p/23.98p. Recording time can become short depending on the temperature and/or shooting conditions.
Film simulation mode		19 modes (PROVIA/STANDARD, Velvia/VIVID, ASTIA/SOFT, CLASSIC CHROME, PRO Neg. Hi, PRO Neg. Std, CLASSIC Neg., NOSTALGIC Neg., ETERNA/CINEMA, ETERNA BLEACH BYPASS, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter, MONOCHROME, MONOCHROME+Ye Filter, MONOCHROME+R Filter, MONOCHROME+G Filter, SEPIA)
Monochromatic Color		Yes
Grain Effect		Roughness: STRONG, WEAK, OFF Size: LARGE, SMALL
Color Chrome Effect		STRONG, WEAK, OFF
Color chrome Blue		STRONG, WEAK, OFF
Smooth Skin Effect		STRONG, WEAK, OFF
Dynamic range setting	Still	AUTO / 100％ / 200％ / 400％ ISO restriction: DR100%: No limit, DR200%: ISO200 or more, DR400%: ISO400 or more
	Movie	100％ / 200％ / 400％ ISO restriction: DR100%: No limit, DR200%: ISO400 or more, DR400%: ISO800 or more
White balance	Auto	White Priority / Auto / Ambience Priority
	Custom	Custom1 - 3
	Color temperature selection	2500K～10000K
	Preset	Fine / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater
Clarity setting		±5 steps
Self-timer		10sec. / 2sec.
Interval timer shooting		Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing)
Wireless transmitter	Standard	IEEE802.11b/g/n (standard wireless protocol)
	Encryption	WEP / WPA / WPA2 mixed mode
	Access mode	Infrastructure
Bluetooth®	Standartd	Bluetooth Ver. 4.2 (Bluetooth low energy)
	Operating frequency (Center frequency)	2402〜2480MHz
Terminal	Digital interface	USB Type-C (USB3.2 Gen1x1)
	HDMI output	HDMI Micro connector (Type D)
	Others	ø3.5mm, stereo mini connector (Microphone) ø3.5mm, stereo mini connector (Headphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terninal
Power supply		NP-W235 Li-ion battery (included)
	Battery life for still images*3	Normal Mode: Approx. 460 frames *When GF63mmF2.8 R WR is set
	Actual battery life of movie capture*3	4K: Approx. 60min. (29.97p) Full HD: Approx. 65min. (59.94p) *Face detection is set to OFF
	Continuance battery life of movie capture *3	4K: Approx. 95min. (29.97p) Full HD: Approx. 110min. (59.94p) *Face detection is set to OFF
Dimensions		Width: 150.0mm Height: 104.2mm Depth: 87.2mm (Minimum Depth) 44.0mm
Weight		including battery and SD memory card: Approx. 900g excluding battery and SD memory card: Approx. 819g
Operation Environment	Operating Temperature	-10°C - +40°C
	Operating Humidity	10% - 80% (no condensation)
Starting up period		Approx. 0.5sec.
Accessories included		Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Shoulder strap Body cap Hot shoe cover Cable protector

Reviews

More than full frame

As photographers, we strive for perfection, constantly searching for the highest image quality and optimum control in what we create. GFX100S combines these two invaluable attributes in one remarkably compact and lightweight body. It is an imaging tool like no other; a new generation of large format camera to suit a new generation of creatives.

900g

with battery
& card

6.0stops

In body
Stabilisation 1

-10°C

Weather
Resistant

102MP

5FPS BURST
SHOOTING

4K/30P

4:2:0 10-BIT
INTERNAL RECORDING

Image quality.
Optimum control.

4th Generation

Processor & sensor

43.8mm x 32.9mm SENSOR

1.7x the size of full frame 2

102MP resolution capability is packed in the imaging sensor, making the Fujifilm GFX100S an ultra-high resolution camera, able to capture outstanding detail. The combination of Fujifilm’s optics and sensor technology are the perfect combination that will set your images apart. From the eyelashes in a portrait to the delicate blades of grass in landscape photography, the GFX100S will help you frame every detail.

X-Processor 4

Powerful Processing Engine

Reliable Processor = Reliable Performance. Powered by an X-Processor 4, the Fujifilm GFX100S has a resolving power to deliver stunning, high-quality images. The main features of the processor are ‘SPEED’ AND ‘COLOUR REPRODUCTION’ which ultimately help photographers excel in the creative process.

IMAGE QUALITY

More tone than full frame

GFX100S delivers wonderfully smooth tones with incredibly subtle colour gradations, thanks to advanced sensor technology that produces exceptional results. The back-illuminated design allows light to hit the sensor more directly to produce images with more detail and less overall noise.

Ji Guo | GFX100S

Preserve for the future

Pixel shift

The Pixel-Shift Multi-Shot function combines 16 RAW files to create a single 400MP image that reproduces the finest details with ultimate colour accuracy. Images are created by moving the imaging sensor to record red, green and blue data from every pixel. This process results in unparalleled colour reproduction and is perfect for archiving works of art, preserving cultural assets, or for any application that requires immense colour fidelity and sumptuous detail.

Capture Detail where it matters

FUJINON G Mount lenses

The 102-megapixel large format sensor works in harmony with G Mount lenses to produce images with incredible detail, beautifully smooth gradations, and wonderfully accurate colours, all while ensuring that you are at the centre of your creative universe. There’s honestly no better way to realise your vision. GFX100S is not full-frame. It is so much more than that.

Explore G Mount Lenses

Michael Clark | GFX100S

Xiaoyi Zhang | GFX100S

Niklas Eschenmoser | GFX100S

Noriko Kita | GFX100S

Michael Clark | GFX100S

Ready when you are

One camera, flexible uses

Whether you are scrambling after a couple to frame their perfect moment or trekking through the wilderness to document nature’s biggest secrets, rest assured that GFX100S has your back when you get there. Its compact size and powerful in-body image stabilisation (IBIS) will help make handheld images pin-sharp, while a cutting-edge focus algorithm and phase detection autofocus (PDAF) pixels across the entire frame deliver fast and accurate autofocus. Be confident that you’ll never miss the moment, no matter how fleeting it may be.

Weather resistant

Tough camera body

Incredibly light, yet impressively durable, the camera body is made from magnesium alloy and designed to meet the demands of day to day use. It is also thicker by 1mm around the lens mount to provide additional rigidity and support, which is essential when using larger G Mount prime and zoom lenses. Thanks to a camera body that is sealed in 60 different places, GFX100S can easily shrug off the most challenging weather and environments. It can operate in temperatures as low as -10°C (14°F) and is both dust- and moisture-resistant.

Large format camera body

Compact and Portable

With GFX100S, there are no compromises, not even with weight. At just 900g, it’s compact enough to carry with you wherever you go and with its secure grip and ergonomic button and dial layout, comfortable in-hand to let you focus on making your best images.

Achieve Sharp ultra-high quality photos without a tripod

five-axis stabilisation

Despite it being almost twice the physical size of any full-frame imaging sensor, GFX100S houses its 102MP Bayer array inside of a compact, weather-resistant camera body that is smaller in size than some Full Frame cameras. It also somehow does this with enough room left over to pack in a five-axis image stabilisation system that provides up to six stops of vibration compensation 3. It’s time to move away from the tripod, have the confidence to work handheld in large format, and be safe in the knowledge that the results will be as sharp and detailed as they would be if the camera were locked and stationary on a support.

Michael Clark | GFX100S

CUTTING-EDGE TECHNOLOGIES

Focus for any occasion

GFX100S redefines what is possible in terms of autofocus speed and accuracy for large format cameras. With highly accurate phase detection pixels across approximately 100% of the frame, reliable Face/Eye detection, responsive subject tracking for moving subjects, and incredible low-light focusing capabilities, this is truly a camera for any focusing occasion.

Enhanced face and eye
detection

GFX100S uses an advanced Face and Eye Detection autofocus algorithm to ensure portrait images are perfectly in focus, even when using wide apertures to create images with shallow depth-of-field.

Great low-light
performance

Combine GFX100S with GF80mmF1.7 R WR and achieve focus in light levels as low as -5.5EV through the camera’s phase detection autofocus pixels, which deliver fast and accurate AF performance reliably. 4

Faster AutoFocus
speed

A revised focusing algorithm means GFX100S can easily stay focused on a moving subject. Simply align the focusing point over the subject and wide/tracking mode will ensure subjects stay sharp as they move around the frame.

Image Quality

More bokeh than full frame 5

Set your portrait photography apart from full-frame users by making the move to large format digital and combining GFX100S with GF80mmF1.7 R WR or GF110mmF2 R LM WR to produce images that have a unique look. See how these combinations separate their subjects from their backgrounds and create an almost three-dimensional quality to the image, full-frame users will be hard-pressed to create images of the same aesthetic quality.

Movies

More than just stills

GFX100S isn’t just a remarkable camera for stills photographers, it offers broadcast-quality video capture, too, making it a truly multifaceted marvel. Record up to 4K/30p footage in 10-bit F-Log or 12-bit Apple ProRes RAW, with an incredibly beautiful depth-of-field, for a look that is made for the silver screen. Switched to movie mode, filmmakers can create naturally cinematic footage and record richly detailed 4K/30p movies with a shallow depth-of-field, wide tonal gradation, and impressive ISO sensitivity in either 10-bit F-log or 12-bit ProRes RAW.

19 FILM SIMULATIONS

Colour mastery

Fujifilm’s expertise in colour science is legendary among image makers. For more than 85 years, it has been responsible for some of the world’s most iconic photographs and movies. GFX100S gives you access to this wealth of experience at the touch of a button, powered by one of the world’s most widely acclaimed digital colour processing engines. With a choice of 19 exclusive Fujifilm Film Simulation modes, it is easy to achieve fantastic colour, instantly, straight out of camera.

Ivan Joshua Loh | GFX100S

Acros

Based on ACROS, a monochrome film renowned for super fine grain, this Film Simulation mode delivers rich shadow details and excellent sharpness, while still adding grain at high ISOs, and recreating the stunning textural feel of monochrome.

ETERNA BLEACH BYPASS

This Film Simulation mode applies a Bleach Bypass effect to the ETERNA/CINEMA mode. It produces a high-contrast, low-saturation look, creating a touch of depth loved by many filmmakers. Perfect for a more dramatic edit.

CLASSIC CHROME

This Film Simulation mode is designed to reproduce a look that is similar to documentary magazines of the 20th century. Its low-saturation and hard tonal gradation in shadows make it a perfect choice for documentary photography with a touch of realism.

PROVIA/STANDARD

Based on FUJICHROME PROVIA, a reversal film designed for professional use, this Film Simulation mode caters for all subject types, offering a neutral colour reproduction.

Sepia

This mode adds a warm tone across the frame for a vintage look. When applied to a retro subject, it creates a fittingly nostalgic finish.

Functionality

Easy to use

GFX100S has been designed to make the large format photography experience easier and more intuitive for both new and existing GFX system users.

GFX100S features a universally familiar PASM control dial, which also features six custom positions, which can be assigned to frequently used settings, ready to be switched between in an instant.

Switching from still to movie mode is also made incredibly simple by way of a lever that is located next to the mode dial. This makes it easy to switch functions effortlessly and keep creating.

Instantly check the status of key camera functions with the top-plate LCD monitor on GFX100S. The 1.8in black & white monitor is crystal clear and displays the all-important information, including shutter speed, aperture, ISO sensitivity, and remaining frames. The display is also fully programmable, so you can choose what information you have to hand at all times.

Some of the greatest images are made when a camera is positioned at a dramatic or unusual angle. The rear 3.2in, 2.36 million dot LCD panel on GFX100S encourages you to explore different viewpoints with its 100% coverage and three tilting directions: 90° upward, 45° downward, and 60° to the right. Use this flexibility with touchscreen control to push your compositions to the next level.

GFX100S features a newly designed Focus Lever, which is flatter and more comfortable to control. But it’s not only the shape of the lever that has been enhanced, the firmware has been upgraded making it easier to select the right focusing point.

GFX100S may be designed for rugged environments, but it is definitely made for a delicate touch. Its feather-touch shutter release reacts to subtle movements and responds instantaneously in either portrait or landscape orientations. For more precision and quicker response, switch to the electronic front curtain shutter to minimise shutter lag and get exactly the right moment with every frame.

Compatible

Lenses

New

Picture Perfect Portraits

GF 55MM F1.7 R WR

$3,899.00

NEW

Your World In Perspective

GF 30MM F5.6 T/S

$6,799.00

New

Your World In Perspective

GF 110MM F5.6 T/S MACRO

$5,899.00

Widen Your Creative Perspective

GF 23MM F4 R LM WR

$3,999.00

Broaden Your View

GF 30MM F3.5 R WR

$2,799.00

Channel Your Creativity

GF 45MM F2.8 R WR

$2,699.00

Designed to Go Further

GF 50MM F3.5 R LM WR

$1,649.00

The Original

GF 63MM F2.8 R WR

$2,399.00

Limitless Creativity

GF 80MM F1.7 R WR

$3,499.00

More than just a portrait lens

GF 110MM F2 R LM WR

$4,299.00

Unlock New Levels of Detail

GF 120MM F4 R LM OIS WR MACRO

$4,199.00

Frame a Deeper Story

GF 250MM F4 R LM OIS WR

$4,999.00

Take the Wider View

GF 20-35MM F4 R WR

$4,099.00

Document Life's Full Range

GF 32-64MM F4 R LM WR

$3,499.00

The Gateway to Quality

GF 35-70MM F4.5-5.6 WR

$1,549.00

See the Beauty

GF 45-100MM F4 R LM OIS WR

$3,499.00

See More than the Moment

GF 100-200MM F5.6 R LM OIS WR

$3,199.00

Teleconverter for G Mount Lenses

GF 1.4X TELECONVERTER WR

$1,249.00

Compatible

Accessories

MHG-GFX S METAL HAND GRIP

$249.00

VIEW CAMERA ADAPTOR

$599.00

MCEX-18G WR G MOUNT 18MM MACRO EXTENSION RING

$499.00

MCEX-45G WR G MOUNT 45MM MACRO EXTENSION RING

$499.00

H-MOUNT ADAPTOR G

$999.00

EC-GFX EYE CUP

$19.00

EF-60 TTL FLASH

$699.00

BC-W235 DUAL BATTERY CHARGER

$129.00

NP-W235 LI-ION RECHARGEABLE BATTERY

$129.00

More than full frame

GFX System

Large format mirrorless digital camera system, achieving high level image quality.

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Personalised Advice

Connect live with the Fujifilm House of Photography team for tailored advice, product suggestions or to see products up-close, via messaging and video chat.

1. Based on CIPA standard
2. GFX100S’s image sensor measures 55mm diagonally (43.8mm x 32.9mm), providing approx. 1.7 times the area of the 35mm full-frame sensor.
3. Based on CIPA standard
4. Equipped with GF80mmF1.7 R WR
5. When compared to full-frame imaging sensors and their aggregate performance regarding the features.