Discover GFX50S II | Fujifilm AU House of Photography

More than Full Frame

Fujifilm GFX50S II

$6,499.00

Tech Specs

Model name		FUJIFILM GFX50S II
Lens Mount		FUJIFILM G mount
Image sensor		43.8mm×32.9mm Bayer array with primary color filter
Number of effective pixels		51.4 million pixels
Sensor Cleaning System		Ultra Sonic Vibration
Image Processing Engine		X-Processor 4
Storage media		SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90^*1
File format of still image	DCF	Compliant with Design rule for Camera File system (DCF2.0)
	JPEG	Exif Ver.2.32^*2
	RAW	14bit RAW (RAF original format)
	TIFF	8bit / 16bit RGB (In-camera Raw Conversion Only)
Number of recorded pixels		［L］〈4:3〉 8256 x 6192 〈3:2〉 8256 x 5504 〈16:9〉 8256 x 4640 〈1:1〉 6192 x 6192 　　〈65:24〉 8256 x 3048 〈5:4〉 7744 x 6192 〈7:6〉 7232 x 6192 ［S］〈4:3〉 4000×3000 〈3:2〉 4000×2664 〈16:9〉 4000×2248 〈1:1〉 2992×2992 　　〈65:24〉 4000×1480 〈5:4〉 3744×3000 〈7:6〉 3504×3000
Sensitivity	Still Image	Standard Output: AUTO1 / AUTO2 / AUTO3 / ISO100~12800 (1/3 step) Extended Output: ISO50 / ISO25600 / ISO51200 / ISO102400
	Movie	Standard Output: AUTO / ISO200～6400 (1/3 step)
Exposure control		TTL 256-zone metering / Multi / Spot / Average / Center Weighted
Exposure mode		P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure)
Exposure compensation	Still	-5.0EV~+5.0EV　1/3EV step
	Movie	-2.0EV~+2.0EV 1/3EV step
Image stabilizer	Mechanism	Image sensor shift mechanism with 5-axis compensation
	Compensation Effect	6.5 stops based on CIPA standard Pitch/yaw shake only *With GF63mmF2.8 R WR lens mounted
	Digital Image Stabilization	Yes (movie mode only)
	IS MODE BOOST	Yes (movie mode only)
Shutter type		Focal Plane Shutter
Shutter speed	Mechanical shutter	P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min. to 1/4000sec. Bulb: up to 60min.
	Electronic shutter	P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec. S/M mode: 60min. to 1/16000sec. Bulb: up to 60min. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
	Mechanical + Electronic shutter	P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec. S/M mode: 60min. to 1/16000sec. Bulb: up to 60min. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
	Electronic Front Curtain Shutter	P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min. to 1/4000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/500sec.
	Electronic Front Curtain Shutter + Electronic Shutter	P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec. S/M mode: 60min. to 1/16000sec. Bulb: up to 60min. Electronic front curtain shutter works until 1/500sec, Mechanical shutter works until 1/4000sec. The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
	Movie	FHD: 1/4000sec. to 1/24 sec. *Cannot choose slower shutter speed than framerate.
	Synchronized shutter speed for flash	1/125sec. or slower
Continuous shooting		CH Electronic Front Curtain Shutter Approx. 2.2fps (JPEG: Endless, Compressed RAW: Endless, Lossless compressed RAW: 35 frames, Uncompressed RAW: 10 frames) CH Approx. 3.0fps (JPEG: Endless, Compressed RAW: 31 frames, Lossless compressed RAW: 13 frames, Uncompressed RAW: 8 frames) Recordable frames depends on recording media. Speed of continuous shooting depends on shooting environment and shooting frames.
Drive Mode	AE Bracketing	2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps
	Filmsimulation bracketing	Any 3 types of film simulation selectable
	Dynamic Range Bracketing	100% / 200% / 400%
	ISO sensitivity Bracketing	±1/3EV / ±2/3EV / ±1EV
	White Balance Bracketing	±1 / ±2 / ±3
	Focus Bracketing	AUTO / MANUAL
	Multiple Exposure	Yes (Max. 9 frames) / Additive / Average / Bright / Dark
	Pixel Shift Multi Shot	Yes
Focus	Mode	Single AF / Continuous AF / MF
	Type	TTL Contrast AF
	Low-light Performance	Contrast: -3.5EV *Low light priority AF-S ON / GF80mmF1.7 attached
	AF frame selection	Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes
	Face/eye detection	Yes
Flash	Sync. Mode	1st Curtain / 2nd Curtain / AUTO FP (HSS) When SHOE MOUNT FLASH is set TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI / OFF
Hot shoe		Yes (Dedicated TTL Flash compatible)
Viewfinder		EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 23mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -4～+2m^-1 Magnification: 0.77x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m^-1 Diagonal Angle of View: approx. 38° (Horizontal angle of view: approx. 30° ) Built-In Eye Sensor
LCD monitor		3.2 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 4:3 Dots: Approx. 2.36 million dots
Touch Screen Mode	Shooting Mode	AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), EVF Touch Screen Area Setting
	Playback Mode	Swipe, Pinch-in / Pinch-out, Double-tap, Drag
Sub LCD monitor		1.80 inch Monochrome LCD Monitor Aspect Ratio: 4:3 Dots: 303x230-dot
Movie recording	File format	MOV: MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
	Movie compression	Long GOP
	File size Frame rate Bitrate Recording time	[Full HD(16:9)] 1920×1080　29.97p/25p/24p/23.98p　50Mbps　Up to 120min. For recording movies, use a SD memory card with UHS Speed Class 1 or higher. Recording time can become short depending on the temperature and/or shooting conditions.
Film simulation mode		19 modes (PROVIA/STANDARD, Velvia/VIVID, ASTIA/SOFT, CLASSIC CHROME, PRO Neg. Hi, PRO Neg. Std, CLASSIC Neg., NOSTALGIC Neg., ETERNA/CINEMA, ETERNA BLEACH BYPASS, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter, MONOCHROME, MONOCHROME+Ye Filter, MONOCHROME+R Filter, MONOCHROME+G Filter, SEPIA)
Monochromatic Color		Yes
Grain Effect		Roughness: STRONG, WEAK, OFF Size: LARGE, SMALL
Color Chrome Effect		STRONG, WEAK, OFF
Color chrome Blue		STRONG, WEAK, OFF
Smooth Skin Effect		STRONG, WEAK, OFF
Dynamic range setting	Still	AUTO / 100％ / 200％ / 400％ ISO restriction: DR100%: No limit, DR200%: ISO200 or more, DR400%: ISO400 or more
	Movie	100％ / 200％ / 400％ ISO restriction: DR100%: No limit, DR200%: ISO400 or more, DR400%: ISO800 or more
White balance	Auto	White Priority / Auto / Ambience Priority
	Custom	Custom1 - 3
	Color temperature selection	2500K～10000K
	Preset	Fine / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater
Clarity setting		±5 steps
Self-timer		10sec. / 2sec.
Interval timer shooting		Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing)
Wireless transmitter	Standard	IEEE802.11b/g/n (standard wireless protocol)
	Encryption	WEP / WPA / WPA2 mixed mode
	Access mode	Infrastructure
Bluetooth®	Standartd	Bluetooth Ver. 4.2 (Bluetooth low energy)
	Operating frequency (Center frequency)	2402〜2480MHz
Terminal	Digital interface	USB Type-C (USB3.2 Gen1x1)
	HDMI output	HDMI Micro connector (Type D)
	Others	ø3.5mm, stereo mini connector (Microphone) ø3.5mm, stereo mini connector (Headphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terninal
Power supply		NP-W235 Li-ion battery (included)
	Battery life for still images^*3	Normal Mode: Approx. 455 frames Auto power save ON When GF63mmF2.8 R WR is set
	Actual battery life of movie capture^*3	Full HD: Approx. 80min. (59.94p) *Face detection is set to OFF
	Continuance battery life of movie capture ^*3	Full HD: Approx. 140min. (29.97p) *Face detection is set to OFF
Dimensions		Width: 150.0mm Height: 104.2mm Depth: 87.2mm (Minimum Depth) 44.0mm
Weight		including battery and SD memory card: Approx. 900g excluding battery and SD memory card: Approx. 819g
Operation Environment	Operating Temperature	-10°C～+40°C
	Operating Humidity	10% - 80% (no condensation)
Starting up period		Approx. 0.4sec.
Accessories included		Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Shoulder strap Body cap Hot shoe cover Cable protector

Reviews

More than full frame

Photography is a practice of pursuing perfection, a continual balance between searching for quality and having total control that allows for the perfect image to exist between the moments that are seen and unseen. Hold space for those moments with GFX50S II and explore a new world of creative possibilities.

6.5STOPS

In body
Stabilisation 1

51MP

3FPS BURST
SHOOTING

900g

with battery
& card

Full HD/30P

4:2:0 8-BIT
INTERNAL RECORDING

-10°C

Weather
Resistant

Step into a new level
of image quality.

4th Generation

Processor & sensor

GFX System cameras bring together high-resolution, large format imaging sensors, a peerless family of G Mount lenses, and blazing fast image processors. These three pillars that continually drive Fujifilm’s relentless pursuit of achieving incredible image quality.

43.8mm x 32.9mm

G Format sensor

GFX50S II’s 51.4MP large format image sensor is engineered to deliver the highest possible image quality and uses every part of its design to consistently deliver incredible results. It is 1.7x bigger than a full-frame sensor, measures a staggering 43.8×32.9mm, and uses specially engineered micro lenses to keenly control light rays, delivering them to each pixel, resulting in outstanding separation between colours and pixels.

Reliable

X-Processor 4

X-Processor 4 is the perfect engine to reliably deliver stunning, high-quality images, all while applying decades of experience in colour processing to every image. Regardless if it’s applying a Film Simulation or faithfully reproducing the colours from an expansive landscape, it will consistently deliver a unique view of any scene and always produce images that honour your creative process.

Fujifilm G Format Sensor

More than full frame

Physically larger than full-frame sensors by approximately 1.7x, the 51.4MP large format sensor inside of GFX50S II is a specially designed CMOS Bayer array that delivers images with minimal noise and an incredibly wide dynamic range.

Xiaoyi Zhang | GFX50S II

FUJIFILM G FORMAT SENSOR

Room for perfection

Not all sensors are created equal. Compared to full-frame 50MP sensors, GFX50S II’s large format 50MP sensor is uniquely different because each pixel is larger and able to collect more data per pixel comparative to full-frame sensors of the same resolution. This results in a stronger signal-to-noise ratio, which suppresses noise, increases dynamic range, and produces images with more information per pixel.

FUJIFILM G FORMAT SENSOR

It’s not just about resolution

GFX50S II’s large format imaging sensor isn’t just physically larger than every full-frame sensor out there, it also has specially shaped micro lenses that are small enough to leave space between the sensor’s pixels, which allows it to efficiently focus light to create images with striking detail and clarity.

Xiaoyi Zhang | GFX50S II

Tommy Simonsen | GFX50S II

Perfect Partners

G Mount lenses

Engineered to keep pace with 100MP+ imaging sensors, G Mount lenses are optimised to provide a lifetime of service. With a short flange focal distance, which helps keep GFX System cameras compact, G Mount lenses are designed to prevent peripheral light fall-off. Combined with the large CMOS imaging sensor, this approach delivers stunning edge-to-edge sharpness.

Unparalleled Image Quality

High resolution

The unbeatable combination of GFX50S II’s 51.4MP large format sensor and a high-quality G Mount lens delivers the ultra-high resolution you would expect from any GFX System camera because light is precisely focused on each pixel through the sensor’s micro lenses.

Tommy Simonsen | GFX50S II

Yuhan Ma | GFX50S II

Unparalleled Image Quality

Incredible tonality

At a pixel pitch of 5.3μm, each of GFX50S II’s pixels is roughly 1.7x larger than those found on comparable 50MP full-frame sensors. This gives GFX50S II an incredible 14 stops of dynamic range because its sensor can gather vastly more light, which results in more information being recorded at each pixel.

Unparalleled Image Quality

Beautiful bokeh

Portraits made on large format sensors naturally lead to images with unparalleled compression and separation. This is why there is simply no comparison to making images with a GFX System camera and GF80mmF1.7 R WR or GF110mmF2 R LM WR. With either lens, subjects are separated from backgrounds with a three-dimensional quality, while colours beautifully transition from one shade to another.

Seigi Takakuwa | GFX50S II

Colour it your way

FILM SIMULATION

As a manufacturer of cameras and photographic films for many decades, Fujifilm developed Film Simulation modes to digitally replicate the look of classic film stocks. GFX50S II allows users to reproduce these colours and tones, adding an artistic flair and exceptional quality to images.

Xiaoyi Zhang | GFX50S II

Acros

Based on ACROS, a monochrome film renowned for super fine grain, this Film Simulation mode delivers rich shadow details and excellent sharpness, while still adding grain at high ISOs, and recreating the stunning textural feel of monochrome.

ETERNA BLEACH BYPASS

This Film Simulation mode applies a Bleach Bypass effect to the ETERNA/CINEMA mode. It produces a high-contrast, low-saturation look, creating a touch of depth loved by many filmmakers. Perfect for a more dramatic edit.

NOSTALGIC Neg.

Designed to recreate the look of images in old photo albums, NOSTALGIC Neg. produces images with rich colours in the shadows – and a soft tonality through the midtones and highlights.

Xiaoyi Zhang | GFX100S

PROVIA/STANDARD

Based on FUJICHROME PROVIA, a reversal film designed for professional use, this Film Simulation mode caters for all subject types, offering a neutral colour reproduction.

Xiaoyi Zhang | GFX100S

Sepia

This mode adds a warm tone across the frame for a vintage look. When applied to a retro subject, it creates a fittingly nostalgic finish.

OPERATIONS

Simple operation, great results

GFX50S II makes large format photography easier and more intuitive for both new and existing GFX System users. Featuring a PSAM dial to access its main exposure functions, handling is convenient thanks to a top-plate LCD that displays key function settings – even when the camera is switched off. A redesigned Focus Lever and feather-touch shutter release provide finishing touches to the image-making experience.

Instantly check the status of key camera functions with GFX50S II’s top-plate LCD monitor. The 1.8in black & white monitor is crystal clear, displaying essential information – including shutter speed, aperture, ISO, and remaining frames. The display is also fully programmable, so you can choose which information is displayed.

GFX50S II has a 3.69 million dot EVF, offering 100% coverage. The finder uses specially designed lens elements for a high-definition live view experience – and includes a diopter to provide a more comfortable viewing experience.

Some of the greatest images are made when a camera is positioned at a dramatic or unusual angle. GFX50S II encourages you to explore different viewpoints, with its rear 3.2in, 2.36 million dot LCD panel offering 100% coverage and three tilting directions: 90° upward, 45° downward, and 60° to the right. Use this flexibility with touchscreen control, adding creativity to your compositions.

Xiaoyi Zhang | GFX50S II

Take on the elements

With a body sealed in 60 different places, GFX50S II shrugs off the most challenging weather & environments. It can operate in temperatures as low as -10°C (14°F) and is dust and moisture resistant, too.

The New Standard for Large Format

Sized for portability

GFX50S II’s high-resolution 51.4MP sensor is housed in a body weighing just 900g (1.98lb) and measuring a remarkably compact 150x104x87mm (5.90×4.09×3.42in). It also features a redesigned shutter unit, five-axis in-body image stabilisation system, and fits comfortably in-hand thanks to its contoured grip. It offers an image-making experience similar to full-frame cameras but produces far superior images.

Magnesium allow structure

Lightweight and strong

Incredibly light, yet impressively durable, GFX50S II is made from magnesium alloy and designed to meet the demands of day-to-day use. The body is 1mm thicker around the lens mount to provide additional rigidity and support; perfect when using larger G Mount prime and zoom lenses.

Raising the bar for image stabilisation

6.5 stops of in-body image stabilisation

Up to 6.5 stops 2 of five-axis in-body image stabilisation (IBIS) is packed into GFX50S II’s compact camera body, unlocking new levels of creativity for photographers wanting to work more freely with slower shutter speeds. Even when light levels are low and a tripod isn’t available, steady images are on the horizon.

Tommy Simonsen | GFX50S II

architectural

Large Format Quality

The right choice for any subject

At just 900g (1.98lb), GFX50S II is compact enough to bring on an adventure into the city, or out into the expanses of wild beyond. Regardless of where it goes, its ergonomic grip and intuitive controls will put the best images at the fingertips of any capable image-maker.

Tommy Simonsen | GFX50S II

Wildlife

cutting-edge technologies

Autofocus for every occasion

GFX50S II can boost its readout speed by double when prioritising focus. This results in faster autofocus speeds and subject acquisition and is supported even further by clever use of the camera’s in-body image stabilisation unit to provide additional autofocus accuracy. Lastly, the use of advanced focus algorithms – as found in GFX100S and the latest X Series models – boost face and eye detection autofocus performance to give photographers great performance regardless of the subject.

GFX50S II harnesses cutting-edge technologies to offer fast, reliable autofocus. The camera can double its readout speed when prioritising focus, plus the in-body image stabilisation (IBIS) unit counters camera shake to improve focus hit rate. Performance is further enhanced, thanks to a focus algorithm used in the GFX100S and latest X Series models. This boosts AF in all situations, including face and eye detection modes.

Create pin-sharp portraits, even with wide apertures, thanks to GFX50S II’s advanced face and eye detection autofocus algorithm. For ultimate precision, use Eye Detection AF and select which eye to focus on – or Face Detection AF in combination with GFX50S II’s touchscreen or Focus Lever to select, track, and perfectly expose one face in a crowd of people.

Autofocus is driven even in low-light conditions -3.5 EV 3 to support shooting. Autofocus can also be used when shooting indoors or outdoors as the sun begins to set, allowing you to capture the subject more accurately and quickly.

Compatible

Lenses

New

Picture Perfect Portraits

GF 55MM F1.7 R WR

$3,899.00

NEW

Your World In Perspective

GF 30MM F5.6 T/S

$6,799.00

New

Your World In Perspective

GF 110MM F5.6 T/S MACRO

$5,899.00

Widen Your Creative Perspective

GF 23MM F4 R LM WR

$3,999.00

Broaden Your View

GF 30MM F3.5 R WR

$2,799.00

Channel Your Creativity

GF 45MM F2.8 R WR

$2,699.00

Designed to Go Further

GF 50MM F3.5 R LM WR

$1,649.00

The Original

GF 63MM F2.8 R WR

$2,399.00

Limitless Creativity

GF 80MM F1.7 R WR

$3,499.00

More than just a portrait lens

GF 110MM F2 R LM WR

$4,299.00

Unlock New Levels of Detail

GF 120MM F4 R LM OIS WR MACRO

$4,199.00

Frame a Deeper Story

GF 250MM F4 R LM OIS WR

$4,999.00

Take the Wider View

GF 20-35MM F4 R WR

$4,099.00

Document Life's Full Range

GF 32-64MM F4 R LM WR

$3,499.00

The Gateway to Quality

GF 35-70MM F4.5-5.6 WR

$1,549.00

See the Beauty

GF 45-100MM F4 R LM OIS WR

$3,499.00

See More than the Moment

GF 100-200MM F5.6 R LM OIS WR

$3,199.00

Teleconverter for G Mount Lenses

GF 1.4X TELECONVERTER WR

$1,249.00

Compatible

Accessories

MHG-GFX S METAL HAND GRIP

$249.00

VIEW CAMERA ADAPTOR

$599.00

EC-XT M EYE CUP

$19.00

H-MOUNT ADAPTOR G

$999.00

MCEX-18G WR G MOUNT 18MM MACRO EXTENSION RING

$499.00

NP-W235 LI-ION RECHARGEABLE BATTERY

$129.00

BC-W235 DUAL BATTERY CHARGER

$129.00

RR-100 REMOTE RELEASE

$59.95

More than full frame

GFX System

Large format mirrorless digital camera system, achieving high level image quality.

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Personalised Advice

Connect live with the Fujifilm House of Photography team for tailored advice, product suggestions or to see products up-close, via messaging and video chat.

1. Based on CIPA standard
2. Based on CIPA standard
3. When combined with GF80mmF1.7 R WR