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More than Full Frame

Fujifilm GFX50S II

Sale price$6,499.00

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Tech Specs

Lens MountFUJIFILM G mount
Image sensor43.8mm×32.9mm Bayer array with primary color filter
Number of effective pixels51.4 million pixels
Sensor Cleaning SystemUltra Sonic Vibration
Image Processing EngineX-Processor 4
Storage mediaSD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90*1
File format of still imageDCFCompliant with Design rule for Camera File system (DCF2.0)
JPEGExif Ver.2.32*2
RAW14bit RAW (RAF original format)
TIFF8bit / 16bit RGB (In-camera Raw Conversion Only)
Number of recorded pixels[L]〈4:3〉 8256 x 6192 〈3:2〉 8256 x 5504 〈16:9〉 8256 x 4640 〈1:1〉 6192 x 6192
  〈65:24〉 8256 x 3048 〈5:4〉 7744 x 6192 〈7:6〉 7232 x 6192
[S]〈4:3〉 4000×3000 〈3:2〉 4000×2664 〈16:9〉 4000×2248 〈1:1〉 2992×2992
  〈65:24〉 4000×1480 〈5:4〉 3744×3000 〈7:6〉 3504×3000
SensitivityStill ImageStandard Output: AUTO1 / AUTO2 / AUTO3 / ISO100~12800 (1/3 step)
Extended Output: ISO50 / ISO25600 / ISO51200 / ISO102400
MovieStandard Output: AUTO / ISO200~6400 (1/3 step)
Exposure controlTTL 256-zone metering / Multi / Spot / Average / Center Weighted
Exposure modeP (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure)
Exposure compensationStill-5.0EV~+5.0EV 1/3EV step
Movie-2.0EV~+2.0EV 1/3EV step
Image stabilizerMechanismImage sensor shift mechanism with 5-axis compensation
Compensation Effect6.5 stops
*based on CIPA standard
*Pitch/yaw shake only
*With GF63mmF2.8 R WR lens mounted
Digital Image StabilizationYes (movie mode only)
IS MODE BOOSTYes (movie mode only)
Shutter typeFocal Plane Shutter
Shutter speedMechanical shutterP mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec.
S/M mode: 60min. to 1/4000sec. Bulb: up to 60min.
Electronic shutterP mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.
S/M mode: 60min. to 1/16000sec. Bulb: up to 60min.
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
Mechanical + Electronic shutterP mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.
S/M mode: 60min. to 1/16000sec. Bulb: up to 60min.
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
Electronic Front Curtain ShutterP mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec.
S/M mode: 60min. to 1/4000sec. Bulb: up to 60min.
*Electronic front curtain shutter works until 1/500sec.
Electronic Front Curtain Shutter + Electronic ShutterP mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.
S/M mode: 60min. to 1/16000sec. Bulb: up to 60min.
*Electronic front curtain shutter works until 1/500sec, Mechanical shutter works until 1/4000sec.
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
MovieFHD: 1/4000sec. to 1/24 sec.
*Cannot choose slower shutter speed than framerate.
Synchronized shutter speed for flash1/125sec. or slower
Continuous shootingCH Electronic Front Curtain Shutter Approx. 2.2fps (JPEG: Endless, Compressed RAW: Endless, Lossless compressed RAW: 35 frames, Uncompressed RAW: 10 frames)
CH Approx. 3.0fps (JPEG: Endless, Compressed RAW: 31 frames, Lossless compressed RAW: 13 frames, Uncompressed RAW: 8 frames)
*Recordable frames depends on recording media.
*Speed of continuous shooting depends on shooting environment and shooting frames.
Drive ModeAE Bracketing2 frames / 3 frames / 5 frames / 7 frames / 9 frames
*by 1/3EV step, up to ±3EV steps
Filmsimulation bracketingAny 3 types of film simulation selectable
Dynamic Range Bracketing100% / 200% / 400%
ISO sensitivity Bracketing±1/3EV / ±2/3EV / ±1EV
White Balance Bracketing±1 / ±2 / ±3
Focus BracketingAUTO / MANUAL
Multiple ExposureYes (Max. 9 frames) / Additive / Average / Bright / Dark
Pixel Shift Multi ShotYes
FocusModeSingle AF / Continuous AF / MF
TypeTTL Contrast AF
Low-light PerformanceContrast: -3.5EV *Low light priority AF-S ON / GF80mmF1.7 attached
AF frame selectionSingle point AF: 13x9 / 25x17 (Changeable size of AF frame)
Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid
Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking)
All: Yes
Face/eye detectionYes
FlashSync. Mode1st Curtain / 2nd Curtain / AUTO FP (HSS)
Hot shoeYes (Dedicated TTL Flash compatible)
ViewfinderEVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots
Coverage of Viewing Area vs. Capturing Area: Approx. 100%
Eyepoint: Approx. 23mm (from the Rear End of the Camera's Eyepiece)
Diopter Adjustment: -4~+2m-1
Magnification: 0.77x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View: approx. 38° (Horizontal angle of view: approx. 30° )
Built-In Eye Sensor
LCD monitor3.2 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor
Aspect Ratio: 4:3
Dots: Approx. 2.36 million dots
Touch Screen ModeShooting ModeAF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), EVF Touch Screen Area Setting
Playback ModeSwipe, Pinch-in / Pinch-out, Double-tap, Drag
Sub LCD monitor1.80 inch Monochrome LCD Monitor
Aspect Ratio: 4:3
Dots: 303x230-dot
Movie recordingFile formatMOV:
MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Movie compressionLong GOP
File size
Frame rate
Recording time
[Full HD(16:9)] 1920×1080 29.97p/25p/24p/23.98p 50Mbps Up to 120min.
*For recording movies, use a SD memory card with UHS Speed Class 1 or higher.
*Recording time can become short depending on the temperature and/or shooting conditions.
Monochromatic ColorYes
Grain EffectRoughness: STRONG, WEAK, OFF
Color Chrome EffectSTRONG, WEAK, OFF
Color chrome BlueSTRONG, WEAK, OFF
Smooth Skin EffectSTRONG, WEAK, OFF
Dynamic range settingStillAUTO / 100% / 200% / 400%
ISO restriction: DR100%: No limit, DR200%: ISO200 or more, DR400%: ISO400 or more
Movie100% / 200% / 400%
ISO restriction: DR100%: No limit, DR200%: ISO400 or more, DR400%: ISO800 or more
White balanceAutoWhite Priority / Auto / Ambience Priority
CustomCustom1 - 3
Color temperature selection2500K~10000K
PresetFine / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater
Clarity setting±5 steps
Self-timer10sec. / 2sec.
Interval timer shootingYes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing)
Wireless transmitterStandardIEEE802.11b/g/n (standard wireless protocol)
EncryptionWEP / WPA / WPA2 mixed mode
Access modeInfrastructure
Bluetooth®StandartdBluetooth Ver. 4.2 (Bluetooth low energy)
Operating frequency (Center frequency)2402〜2480MHz
TerminalDigital interfaceUSB Type-C (USB3.2 Gen1x1)
HDMI outputHDMI Micro connector (Type D)
Othersø3.5mm, stereo mini connector (Microphone)
ø3.5mm, stereo mini connector (Headphone)
ø2.5mm, Remote Release Connector
Hot shoe
Synchronized terninal
Power supplyNP-W235 Li-ion battery (included)
Battery life for still images*3Normal Mode: Approx. 455 frames
*Auto power save ON
*When GF63mmF2.8 R WR is set
Actual battery life of movie capture*3Full HD: Approx. 80min. (59.94p)
*Face detection is set to OFF
Continuance battery life of movie capture
Full HD: Approx. 140min. (29.97p)
*Face detection is set to OFF
DimensionsWidth: 150.0mm
Height: 104.2mm
Depth: 87.2mm
(Minimum Depth) 44.0mm
Weightincluding battery and SD memory card: Approx. 900g
excluding battery and SD memory card: Approx. 819g
Operation EnvironmentOperating Temperature-10°C~+40°C
Operating Humidity10% - 80% (no condensation)
Starting up periodApprox. 0.4sec.
Accessories includedLi-ion battery NP-W235
AC power adapter AC-5VJ
Plug adapter
USB cable
Shoulder strap
Body cap
Hot shoe cover
Cable protector


More than full frame

Photography is a practice of pursuing perfection, a continual balance between searching for quality and having total control that allows for the perfect image to exist between the moments that are seen and unseen. Hold space for those moments with GFX50S II and explore a new world of creative possibilities.


In body




with battery
& card

Full HD/30P

4:2:0 8-BIT



Step into a new level
of image quality.

4th Generation

Processor & sensor

GFX System cameras bring together high-resolution, large format imaging sensors, a peerless family of G Mount lenses, and blazing fast image processors. These three pillars that continually drive Fujifilm’s relentless pursuit of achieving incredible image quality.

43.8mm x 32.9mm

G Format sensor

GFX50S II’s 51.4MP large format image sensor is engineered to deliver the highest possible image quality and uses every part of its design to consistently deliver incredible results. It is 1.7x bigger than a full-frame sensor, measures a staggering 43.8×32.9mm, and uses specially engineered micro lenses to keenly control light rays, delivering them to each pixel, resulting in outstanding separation between colours and pixels. 


X-Processor 4

X-Processor 4 is the perfect engine to reliably deliver stunning, high-quality images, all while applying decades of experience in colour processing to every image. Regardless if it’s applying a Film Simulation or faithfully reproducing the colours from an expansive landscape, it will consistently deliver a unique view of any scene and always produce images that honour your creative process.

Fujifilm G Format Sensor

More than full frame

Physically larger than full-frame sensors by approximately 1.7x, the 51.4MP large format sensor inside of GFX50S II is a specially designed CMOS Bayer array that delivers images with minimal noise and an incredibly wide dynamic range. 

Xiaoyi Zhang | GFX50S II
 Xiaoyi Zhang | GFX50S II
Xiaoyi Zhang | GFX50S II
 Xiaoyi Zhang | GFX50S II


Room for perfection 

Not all sensors are created equal. Compared to full-frame 50MP sensors, GFX50S II’s large format 50MP sensor is uniquely different because each pixel is larger and able to collect more data per pixel comparative to full-frame sensors of the same resolution. This results in a stronger signal-to-noise ratio, which suppresses noise, increases dynamic range, and produces images with more information per pixel.


It’s not just about resolution

GFX50S II’s large format imaging sensor isn’t just physically larger than every full-frame sensor out there, it also has specially shaped micro lenses that are small enough to leave space between the sensor’s pixels, which allows it to efficiently focus light to create images with striking detail and clarity.

Xiaoyi Zhang | GFX50S II
 Xiaoyi Zhang | GFX50S II
Tommy Simonsen | GFX50S II
Tommy Simonsen | GFX50S II

Perfect Partners

G Mount lenses

Engineered to keep pace with 100MP+ imaging sensors, G Mount lenses are optimised to provide a lifetime of service. With a short flange focal distance, which helps keep GFX System cameras compact, G Mount lenses are designed to prevent peripheral light fall-off. Combined with the large CMOS imaging sensor, this approach delivers stunning edge-to-edge sharpness.

Unparalleled Image Quality

High resolution 

The unbeatable combination of GFX50S II’s 51.4MP large format sensor and a high-quality G Mount lens delivers the ultra-high resolution you would expect from any GFX System camera because light is precisely focused on each pixel through the sensor’s micro lenses.

Tommy Simonsen | GFX50S II
Tommy Simonsen | GFX50S II
Yuhan Ma | GFX50S II
Yuhan Ma | GFX50S II

Unparalleled Image Quality

Incredible tonality

At a pixel pitch of 5.3μm, each of GFX50S II’s pixels is roughly 1.7x larger than those found on comparable 50MP full-frame sensors. This gives GFX50S II an incredible 14 stops of dynamic range because its sensor can gather vastly more light, which results in more information being recorded at each pixel.

Unparalleled Image Quality

Beautiful bokeh

Portraits made on large format sensors naturally lead to images with unparalleled compression and separation. This is why there is simply no comparison to making images with a GFX System camera and GF80mmF1.7 R WR or GF110mmF2 R LM WR. With either lens, subjects are separated from backgrounds with a three-dimensional quality, while colours beautifully transition from one shade to another.

Seigi Takakuwa | GFX50S II
Seigi Takakuwa | GFX50S II

Colour it your way


As a manufacturer of cameras and photographic films for many decades, Fujifilm developed Film Simulation modes to digitally replicate the look of classic film stocks. GFX50S II allows users to reproduce these colours and tones, adding an artistic flair and exceptional quality to images.

Xiaoyi Zhang | GFX50S II
Xiaoyi Zhang | GFX50S II


Based on ACROS, a monochrome film renowned for super fine grain, this Film Simulation mode delivers rich shadow details and excellent sharpness, while still adding grain at high ISOs, and recreating the stunning textural feel of monochrome.


This Film Simulation mode applies a Bleach Bypass effect to the ETERNA/CINEMA mode. It produces a high-contrast, low-saturation look, creating a touch of depth loved by many filmmakers. Perfect for a more dramatic edit.


Designed to recreate the look of images in old photo albums, NOSTALGIC Neg. produces images with rich colours in the shadows – and a soft tonality through the midtones and highlights.

Xiaoyi Zhang | GFX100S
Xiaoyi Zhang | GFX100S


Based on FUJICHROME PROVIA, a reversal film designed for professional use, this Film Simulation mode caters for all subject types, offering a neutral colour reproduction.

Xiaoyi Zhang | GFX100S
Xiaoyi Zhang | GFX100S


This mode adds a warm tone across the frame for a vintage look. When applied to a retro subject, it creates a fittingly nostalgic finish.

Xiaoyi Zhang | GFX50S II
Xiaoyi Zhang | GFX50S II

Take on the elements

With a body sealed in 60 different places, GFX50S II shrugs off the most challenging weather & environments. It can operate in temperatures as low as -10°C (14°F) and is dust and moisture resistant, too.

The New Standard for Large Format

Sized for portability

GFX50S II’s high-resolution 51.4MP sensor is housed in a body weighing just 900g (1.98lb) and measuring a remarkably compact 150x104x87mm (5.90×4.09×3.42in). It also features a redesigned shutter unit, five-axis in-body image stabilisation system, and fits comfortably in-hand thanks to its contoured grip. It offers an image-making experience similar to full-frame cameras but produces far superior images.

Magnesium allow structure

Lightweight and strong

Incredibly light, yet impressively durable, GFX50S II is made from magnesium alloy and designed to meet the demands of day-to-day use. The body is 1mm thicker around the lens mount to provide additional rigidity and support; perfect when using larger G Mount prime and zoom lenses.

Raising the bar for image stabilisation

6.5 stops of in-body image stabilisation

Up to 6.5 stops 2 of five-axis in-body image stabilisation (IBIS) is packed into GFX50S II’s compact camera body, unlocking new levels of creativity for photographers wanting to work more freely with slower shutter speeds. Even when light levels are low and a tripod isn’t available, steady images are on the horizon.

Tommy Simonsen | GFX50S II
Tommy Simonsen | GFX50S II


Large Format Quality

The right choice for any subject

At just 900g (1.98lb), GFX50S II is compact enough to bring on an adventure into the city, or out into the expanses of wild beyond. Regardless of where it goes, its ergonomic grip and intuitive controls will put the best images at the fingertips of any capable image-maker.

Tommy Simonsen | GFX50S II
Tommy Simonsen | GFX50S II


More than full frame

GFX System

Large format mirrorless digital camera system, achieving high level image quality.

Shop Live with Fujifilm

Personalised Advice

Connect live with the Fujifilm House of Photography team for tailored advice, product suggestions or to see products up-close, via messaging and video chat. 

1. Based on CIPA standard
2. Based on CIPA standard
3. When combined with GF80mmF1.7 R WR