Discover GFX100 | Fujifilm AU House of Photography

Discontinued

MORE THAN FULL FRAME

Fujifilm GFX100

$16,499.00

Tech Specs

Model Name		FUJIFILM GFX100 *FW ver4.00
Number of effective pixels		102 million pixels
Image sensor		43.8mm×32.9mm Bayer array with primary color filter
Sensor Cleaning System		Ultra Sonic Vibration
Storage media		SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) UHS-I / UHS-II / Video Speed Class V90 ^*1
File format
	Still Image	JPEG (Exif Ver.2.3)^*2, RAW : 14bit / 16bit RAW (RAF original format), RAW+JPEG, 8-bit /16-bit(10-bit output in 16bit file) TIFF (In-camera Raw Conversion Only)
Number of recorded pixels		[L] <4:3> 11648×8736 <3:2> 11648×7768 <16:9> 11648×6552 <1:1> 8736×8736 <65:24> 11648×4304 <5:4> 10928×8736 <7:6> 10192×8736 [M] <4:3> 8256×6192 <3:2> 8256×5504 <16:9> 8256×4640 <1:1> 6192×6192 <65:24> 8256×3048 <5:4> 7744×6192 <7:6> 7232×6192 [S] <4:3> 4000×3000 <3:2> 4000×2664 <16:9> 4000×2248 <1:1> 2992×2992 <65:24> 4000×1480 <5:4> 3744×3000 <7:6> 3504×3000
Lens Mount		FUJIFILM G mount
Sensitivity
	Standard Output	AUTO1/AUTO2/AUTO3 (up to ISO12800) / ISO100~12800 (1/3 step) (Movie: AUTO / ISO200~12800)
	Extended Output	ISO50 / 25600 / 51200 / 102400 (Movie: ISO25600)
Exposure control		TTL 256-zone metering, Multi / Spot / Average / Center Weighted
Exposure mode		P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure)
Exposure compensation		-5.0EV - +5.0EV 1/3EV step (Movie: -2.0EV - +2.0EV)
Image Stabilizer
	Mechanism	Image sensor shift mechanism with 5-axis compensation
	Compensation Effect	5.5 stops (based on CIPA standard). Pitch/yaw shake only. With GF63mmF2.8 R WR lens mounted.
	Digital Image Stabilization	Yes (movie mode only)^*3
	IS MODE BOOST	Yes (movie mode only)^*3
Shutter type		Focal Plane Shutter
Shutter speed
	Mechanical Shutter	P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min. to 1/4000sec. Bulb mode: up to 60min.
	Electronic Shutter^*4	P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec. S/M mode: 60min. to 1/16000sec. Bulb mode: up to 60min.
	Electronic Front Curtain Shutter^*5	P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min. to 1/4000sec. Bulb mode: up to 60min.
	Mechanical + Electronic Shutter^*4	P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec. S/M mode: 60min. to 1/16000sec. Bulb mode: up to 60min.
	Electronic Front Curtain Shutter + Electronic Shutter^45	P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec. S/M mode: 60min. to 1/16000sec. Bulb mode: up to 60min.
	Movie	1/4000sec.-1/4sec. Cannot choose slower shutter speed than framerate with LongGOP recording.
	Synchronized shutter speed for flash	1/125sec. or slower
Continuous shooting		CH Approx. 5.0fps (JPEG: 41 Frames, Compressed RAW: 15 Frames^3, Lossless compressed RAW: 14 Frames, Uncompressed RAW: 13 Frames) CL Approx. 2.0fps (JPEG: Endless, Compressed RAW: 41 Frames^3, Lossless compressed RAW: 20 Frames, Uncompressed RAW: 15 Frames) When Using the Electronic Shutter CH continuous shooting speed drops to approx. 2.9fps. Electronic Front Curtain Shutter support CL only. Recordable frame depends on recording media. Speed of continuous shooting depends on shooting environment and shooting frames.
Auto bracketing		AE Bracketing (Frames: -2, -3, +3, +2, ±9, ±7, ±5, ±3 Step: 1/3EV, 2/3EV, 1EV, 4/3EV、5/3EV、2EV、7/3EV、8/3EV、3EV) Film Simulation bracketing (Any 3 types of film simulation selectable) Dynamic Range Bracketing (100%, 200%, 400%) ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV) White Balance Bracketing (±1, ±2, ±3) Focus Bracketing (AUTO, MANUAL)^3 Multiple Exposure: (Max. 9 frames^3),Additive^3,Average^3,Bright^3,Dark^3
Focus
	Mode	Single AF / Continuous AF / MF
	Type	Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
	Low-light Performance	Contrast:-2.5EV(GF80mmF1.7 attached) Phase Detection:-5.5EV(GF80mmF1.7 attached)
	AF frame selection	Single point AF: EVF / LCD: 13×9 / 25×17 (Changeable size of AF frame) Zone AF: 3×3 / 5×5 / 7×7 from 117 areas on 13×9 grid Wide/Tracking AF: (up to 18 area) * AF-S: Wide / AF-C: Tracking All
White balance		Automatic Scene recognition / Custom1-3 / Color temperature selection (2500K~10000K) / Preset: Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater
Clarity setting		±5 steps^*3
Self-timer		10sec. / 2sec.
Interval timer Shooting		Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing)
Flash modes
	SYNC. MODE	1ST CURTAIN / 2ND CURTAIN / AUTO FP(HSS)
	FLASH MODE *When SHOE MOUNT FLASH is set	TTL (TTL AUTO (P mode) / STANDARD / SLOW SYNC. ) / MANUAL / MULTI / OFF
Hot shoe		Yes (Dedicated TTL Flash compatible)
Viewfinder		0.5 inch Approx. 5.76 million dots OLED Color Viewfinder Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 23mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -4 - +2m-1 Magnification: 0.86× with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: Approx. 41° (Horizontal Angle of View: Approx. 33°) Built-In Eye Sensor
LCD monitor		3.2 inch, Aspect Ratio 4:3, Approx. 2.36 million dots Tilt-Type(Three Direction), Touch Screen Color LCD Monitor (Approx. 100% Coverage)
Touch Screen Mode
	Shooting Mode	Touch AF, Focus Area, OFF Double Tap ON/OFF Setting, Touch Function ON/OFF Setting
	Playback Mode	Swipe, Zoom, Pinch-in / Pinch-out, Double-tap, Drag (ON/OFF Selectable)
Sub LCD monitor		1.80 inch, Aspect Ratio 4:3, 303×230-dot Monochrome LCD Monitor
Rear sub monitor		2.05 inch, Aspect Ratio 4:1, 256×64-dot Monochrome OLED Monitor
Movie recording
	File format	MOV (MPEG-4 AVC / H.264, HEVC / H.265, Audio : Linear PCM / Stereo sound 24bit / 48KHz sampling)
	Movie compression	All Intra/Long-GOP * All Intra can be used with following settings. DCI4K/4K 29.97p/25p/24p/23.98p 400Mbps Full HD(2048×1080)/Full HD(1920×1080) 59.94p/50p/29.97p/25p/24p/23.98p　200Mbps
	File size / Frame rate / Recording time	[DCI4K (4096×2160)] 29.97p / 25p / 24p / 23.98p 400Mbps/200Mbps/100Mbps up to Approx. 60min. [4K (3840×2160)] 29.97p / 25p / 24p / 23.98p 400Mbps/200Mbps/100Mbps up to Approx. 60min. [Full HD (2048×1080)] 29.97p / 25p / 24p / 23.98p 200Mbps/100Mbps/50Mbps up to Approx. 80min. [Full HD (1920×1080)] 29.97p / 25p / 24p / 23.98p 200Mbps/100Mbps/50Mbps up to Approx. 80min. * For recording movies, use a SD memory card with UHS Speed Class 3 or higher. * For recording movies in 400Mbps, use a SD memory card with Video Speed Class 60 or higher. * Recording movies in 400Mbps can be done with DCI4K/4K 29.97p/25p/24p/23.98p.
Film Simulation mode		19 modes (PROVIA/STANDARD, Velvia/VIVID, ASTIA/SOFT, CLASSIC CHROME, PRO Neg. Hi, PRO Neg. Std, CLASSIC Neg.^3, NOSTALGIC Neg.^3, ETERNA/CINEMA, ETERNA BLEACH BYPASS^*3, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter, MONOCHROME, MONOCHROME+Ye Filter, MONOCHROME+R Filter, MONOCHROME+G Filter, SEPIA)
Monochromatic Color		Yes^*3
B & W ADJ. (Warm/Cool)		-9 - +9 *When ACROS or Black&White is selected.
Grain Effect		Roughness: STRONG, WEAK, OFF Size: LARGE, SMALL^*3
Color Chrome Effect		STRONG, WEAK, OFF
Color chrome Blue^*3		STRONG, WEAK, OFF
Smooth Skin Effect		STRONG, WEAK, OFF
Dynamic range setting		AUTO, 100%, 200%, 400%
Photography functions		D range priority, Highlight tone, Shadow tone, Color, Sharpness, Noise reduction, Long exposure NR, Lens Modulation Optimizer, Color space, Pixel mapping, Select custom setting, Edit/Save custom setting, AF-C custom setting, Store AF mode by orientation, AF point display, Pre-AF, AF Illuminator, Face/Eye detection AF, AF+MF, MF assist(Digital Split Image, Digital Microprism, Focus peak highlight), Focus check, Interlock spot AE & focus area, Instant AF setting (AF-S/AF-C), Depth-of-field scale, Release/Focus priority, Touch screen mode, Flicker reduction, Mount adapter setting, 35mm Format Mode, Red eye removal, RGB Histogram, Highlight alert, Electronic level, Preview depth of field, AE lock, AF lock, AF-ON, AWB lock, Multiple exposure
Movie functions		Interframe NR, F-Log/HLG/RAW recording^*3, Peripheral light correction, Movie AF mode, 4K movie output, Full HD movie output, HDMI output info display, 4K HDMI standby quality, HDMI rec control, Zebra setting, Zebra level, Audio setting, Time code setting, Tally light, Movie silent control
Playback functions		Switch slot, RAW conversion, Erase, Erase selected frames, Simultaneous delete(Raw Slot1/JPG Slot2), Crop, Resize, Protect, Image rotate, Red eye removal, Voice memo setting, Copy, Photobook assist, Multi-frame playback (with micro thumbnail), Favorites/Rating, RGB histogram, Highlight alert
Wireless transmitter
	Standard	IEEE802.11a/b/g/n/ac (standard wireless protocol)
	Encryption	WEP／WPA／WPA2 mixed mode
	Access mode	Infrastructure
Bluetooth®
	Standartds	Bluetooth Ver. 4.2(Bluetooth low energy)
	Operating frequency	2402 - 2480MHz(Center frequency)
Wireless function		Geotagging, Image transfer (Individual image/Selected multiple images), View & Obtain Images, instax Printer Print, Pairing registration, Delete pairing registration, Bluetooth ON/OFF setting, Auto image transfer, Smartphone Sync. Setting, Wireless com. frequency setting
Other functions		Exif Print, Date/Time, Time difference, 35 Languages, My menu setting, Sensor cleaning, Battery age, Regulatory, Sound set-up, EVF brightness, EVF color, EVF color adjustment, LCD brightness, LCD color, LCD color adjustment, Image disp, Auto rotate displays, Preview exp./WB in manual mode, Natural live view, Framing guideline, Auto rotate PB, Focus scale units, Dual display setting, Disp. custom setting, Large indicators mode(EVF/LCD), Large indicators disp. setting, Information contrast adj. Sub monitor setting, Rear sub monitor setting, Sub monitor background color, Rear sub monitor brightness, Focus lever setting, Edit/Save Quick menu, Function(Fn) setting, Command dial setting, Shutter AF, Shutter AE, Shoot without lens, Shoot without card, Focus ring, Focus ring operation, AE/AF-Lock mode, AWB-Lock mode, Expo. Comp. button setting, Touch screen setting, Lock, Auto power off, Performance, Shooting stand by mode, Auto power save, Frame No., Save org image, Edit file name, Card slot setting, Select slot, Select Folder and Create Folder, Copyright Info
Terminal
	Digital interface	USB Type-C（USB3.2 Gen1x1）
	HDMI output	HDMI Micro connector (Type D)
	Others	ø3.5mm, stereo mini connector (Microphone) ø3.5mm, stereo mini connector (Headphone) ø2.5mm, Remote Release Connector DC IN 15V Connecter *Compatible with AC-15V (Optional) Only Hot shoe Synchronized terninal
Power supply		NP-T125 (x2) Li-ion battery (included)
	Battery life for still images^*6	Approx. 800 frames When GF63mmF2.8 R WR is set. (2 batterys installed, Auto power save ON)
	Actual battery life of movie capture^*6	[4K] Approx. 100min. [Full HD] Approx. 150min. *Face detection is set to OFF
	Continuance battery life of movie capture^*6	[4K] Approx. 170min. [Full HD] Approx. 240min. *Face detection is set to OFF
USB power supply		Support USB PD(Power Delivery) power source to supply or rapidly recharge battery (USB PD Rev2.0 ver1.3)
Dimensions		Including EVF 156.2mm (W) × 163.6mm (H) × 102.9mm (D) / 6.15in. (W) × 6.44in. (H) × 4.05in. (D) (Minimum Depth : 48.9mm / 1.93in.) Excluding EVF 156.2mm (W) × 144.0mm (H) × 75.1mm (D) / 6.15in. (W) × 5.67in. (H) × 2.96in. (D) (Minimum Depth : 48.9mm / 1.93in.)
Weight		Approx. 1,400g / 49.4oz. (including EVF, battery x2 and memory card) Approx. 1,320g / 46.6oz. (including battery x2 and memory card) Approx. 1,155g / 40.7oz. (excluding accessories, battery and memory card)
Operating Temperature		-10°C - 40°C (+14°F - +104°F)
Operating Humidity		10% - 80% (no condensation)
Starting up period		Approx. 0.4sec. *Fujifilm Research
Accessories included		Li-ion batteries NP-T125 (x2) Battery charger BC-T125 Plug adapter Interchangeable electronic viewfinder EVF-GFX2 Body cap Metal strap clips (x2) Clip attaching tool Protective covers (x2) Shoulder strap Cable protector Hot shoe cover (Body/EVF) Connector cover (EVF) Sync terminal cover

Reviews

More than full frame

GFX100 combines decades of experience, knowledge, and research into a mirrorless large format camera that redefines the boundaries and limitations of how photographers and filmmakers creatively express themselves.

1,320g

with battery x2
& card

5.5stops

In body
Stabilisation 1

-10°C

Weather
Resistant

102MP

5FPS BURST
SHOOTING

4K/30P

4:2:0 10-BIT
INTERNAL RECORDING

Redefining
large format.

4th Generation

Processor & sensor

large format CMOS sensor

Sensor Size 43.8mmx 32.9mm

The GFX Series’ use of 55mm diagonal length large format sensor (43.8 x 32.9mm) has paved the way for ultra-high image resolution. The GFX100 delivers smooth gradation and image sharpness with the high-resolution sensor. This is made possible thanks to Fujifilm's expertise in medium format which has been gained since the days of film cameras. Experience the astonishing photographic potential possible with the 100MP+ sensor.

Processor

Image Processing Engine

The GFX100 uses the X-Processor 4, Fujifilm's latest image processing engine to quickly optimise the data from the high-resolution image sensor. Despite the massive amount of data involved, the processor handles it at a speed. You can also apply the Film Simulation modes to 100MP+ image data to achieve Fujifilm's unique styles of colour and tone reproduction.

16-bit images with amazing colour

102MP LARGE FORMAT

GFX100 pairs a back-illuminated 102MP imaging sensor with our blazingly fast X Processor 4 processing engine to create a combination capable of outputting 16-bit images with amazing colour fidelity, rich shadow detail, and incredible dynamic range. Its back-illuminated structure enhances image quality by bringing the exposure plane closer to the colour filter array. This minimises noise levels from that typically experienced with mirrorless cameras and extends the native ISO to ISO 100. Sharpness is also enhanced, while moire and false colours are near eliminated through the omission of an optical low-pass filter.

Pål Laukli | GFX100

Preserve for the future

Pixel shift

The Pixel-Shift Multi-Shot function combines 16 RAW files to create a single 400MP image that reproduces the finest details with ultimate colour accuracy. Images are created by moving the imaging sensor to record red, green and blue data from every pixel. This process results in unparalleled colour reproduction and is perfect for archiving works of art, preserving cultural assets, or for any application that requires immense colour fidelity and sumptuous detail.

LENSES

FUJIFILM G Mount

The G Mount was designed to accommodate GF lenses with 100MP+ sensors in mind. Taking maximum advantage of the mirrorless system, the G Mount has a short flange focal distance which contributes to the camera’s compact form and mirrors GF lenses’ design and advanced performance. When combined with a large CMOS sensor, the system prevents peripheral light fall-off to achieve stunning edge-to-edge sharpness.

Explore G Mount Lenses

Beno Saradzic | GFX100

Eric Malo | GFX100

Pål Laukli | GFX100

Beno Saradzic | GFX100

A Legacy

FUJIFILM'S COLOUR SCIENCE

Fujifilm’s legacy in colour science has helped create one of the most widely-acclaimed digital colour processing engines in the world. Benefiting from over 85 years of research and development in colour imaging. As a manufacturer of cameras and photographic films for many years, Fujifilm has developed 19 Film Simulation modes to digitally replicate the look of film. The GFX100 allows users reproduce these colours and tones, despite its large image resolution, adding an artistic flair to images with exceptional quality.

Format

Image Format, Size & Aspect

The GFX100 allows users to capture images in various formats and image qualities. This includes uncompressed / lossless compressed RAW and JPEG formats of varying image sizes, aspect ratios and compression ratios. The in camera RAW processing gives the option of saving 8bit or 10bit colour depth images as 8bit or 16bit TIFF files. When using a 35mm format lens via a mount adapter, the camera can record images in a 36.0mmx24.0mm frame at the centre (60.8M) as JPEG or TIFF (in camera RAW processing) formats.

Jan Gonzales | GFX100

Effects

Colour Chrome

The GFX100 offers additional photographic effects including the “Grain Effect” for replicating the graininess of analogue photos, the “Colour Chrome Effect” for adding deeper tonal gradation to a subject matter with highly saturated colours, and the “Smooth Skin Effect,” a new function developed for the GFX100 for smoothing the skin tones for use in portrait photography.

Effects

White Balance

You can choose the white balance setting from Auto, Custom, Colour Temperature and Preset. The white balance can be fine-tuned in the WB Shift feature with RB colour coordinates. In the Custom mode, which measures the ambient light to determine white balance, you can also adjust size and location settings and register three presets.

Fujifilm's Colour Science

Colour Mastery

As a manufacturer of cameras and photographic films for many years, Fujifilm has developed 19 Film Simulation modes to digitally replicate the look of film. The GFX100 allows users reproduce these colours and tones, despite its large image resolution, adding an artistic flair to images with exceptional quality.

Philipp Rathmer | GFX100

Provia

Based on FUJICHROME PROVIA, a reversal film designed for professional use, this Film Simulation mode caters for all subject types, offering a relatively neutral colour reproduction.

Eterna Bleach Bypass

This Film Simulation mode applies a Bleach Bypass effect to the ETERNA/CINEMA mode. This creates a high-contrast and low-saturation look which gives a touch of profoundness, loved by many filmmakers, which is perfect for a more dramatic edit.

Acros

Based on ACROS, a monochrome film renowned for its super fine grain, this Film Simulation mode delivers rich shadow details and excellent sharpness, while still being able to add grain at high ISOs to produce the stunning textural feel of monochrome films.

Sepia

This mode adds a warm tone across the frame for a vintage look. When applied to a retro subject, it creates a fittingly nostalgic finish.

Velvia

Based on FUJICHROME Velvia, an ultra vivid reversal film designed for professional use, this Film Simulation mode provides richer and high-contrast colours than the standard “PROVIA/STANDARD,” normally used by landscape photographers.

Shutter

Focal Plane Shutter

The GFX focal plane shutter is specifically designed for 55mm diagonal length large format mirrorless digital cameras. With a durability performance over 150,000 shutter actuations 2, it combines an electronic front curtain shutter with an exceptionally quiet mechanical shutter which has a maximum speed of 1/4000sec.

The shutter system has been redesigned for the GFX100 to support the new large format CMOS sensor with continuous shooting of up to 5.0fps. You can select from three types of shutters, including an electronic shutter, according to your shooting conditions.

Shutter

Shock Absorber

The GFX100’s shutter has a shock absorption mechanism ideal for landscape photography, studio shooting and commercial photography, all of which are unforgiving to even the slightest of camera shakes. The shutter unit is suspended at the top, bottom, right and left and is able to absorb subtle shakes caused when the mechanical shutter is used. It also enables quicker shutter response, which is useful in a variety of shooting situations.

REVOLUTIONISED

Image Stabilisation

The GFX100 is a first mirrorless digital camera equipped with an in-body image stabilisation (IBIS) mechanism for a large format sensor in GFX series. It provides precision control for the high-definition images produced by the camera’s large format sensor, which is approx. 1.7 times the size of a 35mm format sensor.

This feature revolutionises the large format camera system, unleashing its advanced performance with greater flexibility in a wider variety of shooting conditions.

Jan Gonzales | GFX100

Large Format

GFX100 is an elegant blend of engineering and design. Everything from the shape of its lightweight magnesium body, to the look and feel of its buttons and dials have been carefully selected to provide you with a seamless experience in using it to create images. Optimised for a variety of applications and packed with state-of-the art technology, GFX100 is designed to provide you with the best incredible image quality possible, regardless of the situation.

The GFX100 camera body has a built-in vertical grip, it is the first Fujifilm camera to have this integrated design. This allows the camera to be thinner and lighter than before while still housing a large sensor, shutter mechanism, IBIS and two batteries. This balanced design of the camera allows the user to instantly switch from landscape to portrait orientation.

The in-body image stabilisation (IBIS) and the shutter’s shock-absorbing structure are complemented by the grip design, which is shaped to provide added stability for handheld shooting in various conditions. It allows you to hold the camera firm and there is a better balance even when a large lens is mounted so that you can focus on the composition of your shake-free images.

The camera body is made of magnesium alloy, making it lightweight and very robust. The inner frame directly couples the sensor and IBIS unit with lens and lens mount to provide complete rigidity from the lens to the sensor. The engagement area between the front and rear panels has been maximised to achieve ultimate durability against external force.

The camera body is weather-sealed at 95 points (including the electronic viewfinder) helping it resist extreme conditions of dust, moisture and low temperatures. This means that the camera can comfortably handle a wide variety of shooting situations, be it shooting stills or video. This means the GFX100 is perfectly suited to be used in a studio but also outdoors in harsher environments.

Multi-function Monitor

The top panel features a clear, 1.8-inch B/W sub LCD monitor that displays the main shooting settings such as shutter speed, aperture, ISO sensitivity and exposure compensation, as well as function icons, remaining number of frames (stills) and remaining filming time (video). This display can be configured according to what information you want to be displayed. When you switch between stills and video modes, all the settings shown on this sub monitor also change accordingly, ensuring that all relevant data is available at hand.

Rear Customizable Information Monitor

The rear panel features a sub monitor, which can be configured to display various data previously displayed on the main LCD monitor. Minimising the amount of data that has to be displayed on the main LCD monitor makes it easy to check the overall framing and concentrate on the composition. You can choose to display the exposure compensation gauge and histogram on the sub monitor to enable exposure adjustment whilst checking the exposure level.

3.2inch Tilting LCD Screen

The rear panel features the main 3.2-inch 2.36-million dot LCD monitor that has 100% coverage and tilts in three directions, 90 degrees upward, 45 degrees downward and 60 degrees to the right. The use of capacitive touchscreen panel allows easy framing and shooting in high and low angles, which can be difficult when using the EVF.

High Magnification and High-Definition Electronic Viewfinder

The GFX100 comes with a detachable 5.76M dot EVF with approx. 100% coverage. Resolution priority, frame rate priority and AF priority can be selected in boost mode for live view depending on the subject.

Autofocus

Compared to traditional large format digital systems, GFX100 raises the bar in auto-focus performance by utilising AF phase detection pixels across most of the sensor to help photographers obtain focus wherever they choose to position their subjects in the frame. At approximately 100% coverage, increased auto-focus performance with speed and accuracy is now a complete reality for photographers needing optimum performance in subject tracking, face/ eye detection and low-contrast environments.

Autofocus

Face/Eye Tracking

Using the new sensor in conjunction with the X-Processor 4, gives an advanced level of face-tracking performance. The photographer has the ability to identify and capture even easier than before, difficult subjects like a person inside profile. In the Eye AF mode, you can even specify which of the subject’s eyes you want the camera to prioritise. This is particularly useful in portraiture, which commands focusing accuracy with a very shallow depth of field. The touchscreen panel or Focus Lever can be used to select which of a crowd of faces detected you want the camera to track, focus and adjust exposure to.

Autofocus

Focus Bracketing

Focus bracketing – followed by some stacking and blending in post-production – can give you superb results, with everything in focus. With the Auto mode added on Firmware Ver.2.00, you only need to specify the starting and ending points and shooting interval, and the camera would automatically determine the number of frames and steps required.

Autofocus

Low Light

The GFX 100 will deliver fast and highly-accurate phase-detection AF even in low-light conditions at -5EV 3.

4K Movie / 10bit Colour Depth

The full potential of the 55mm diagonal length large format sensor in the GFX can be seen when shooting both stills and in video. The combination of the latest sensor and the “X-Processor 4” enables support for 4K/30P video. The camera’s sensor, which is larger than that of most cinema cameras, produces a shallow depth of field, enhanced tonal gradient in 10-bit output, and greater ISO sensitivity.

Movie recording format

With its large format sensor, the GFX100 demonstrates its appeal in video recording. It uses full sensor width to record video in 4K digital cinema format in the aspect ratios of 16:9 / 17:9. The sensor area used is greater than that of cinema cameras that support a large format sensor. You can use GF lenses and adaptors to achieve a variety of videographic expressions that only large sensors can deliver and record them in high-resolution 4K video.

F-Log / HLG Support

The GFX100 is capable of recording F-Log, characterised by a gamma curve with a wide dynamic range, and capturing video in HLG (Hybrid Log Gamma), one of the formats defined in the ITU-R BT.2100 international standards. Coupled with colour information attained in 10-bit colour depth, the camera records premium quality footage faithfully depicting scenes even with a large brightness range or subjects with high colour saturation.

Simultaneous Output to HDMI and SD card

The high-speed image processing engine, X-Processor 4, can read and output condensed video data, feeding 4K/30P 4:2:2 10bit data to the HDMI port and recording 4K/30P 4:2:0 10bit data to an SD card (when H.265 is selected) up to 400Mbps 4. You can also choose All-Intra 5 / Long-GOP, etc. The processor’s enhanced capability means video footage can be viewed on the camera’s LCD screen as well as on an external monitor whilst you film, while feeding uncompressed data straight to a recorder.

Multi-function monitor

Compatible

Lenses

Go Further

FUJINON GF 500MM F5.6 R LM OIS WR

$6,099.00

Picture Perfect Portraits

FUJINON GF 55MM F1.7 R WR

$3,899.00

Your World In Perspective

FUJINON GF 30MM F5.6 T/S

$6,799.00

Your World In Perspective

FUJINON GF 110MM F5.6 T/S MACRO

$5,899.00

Widen Your Creative Perspective

FUJINON GF 23MM F4 R LM WR

$3,999.00

Broaden Your View

FUJINON GF 30MM F3.5 R WR

$2,799.00

Channel Your Creativity

FUJINON GF 45MM F2.8 R WR

$2,699.00

Designed to Go Further

FUJINON GF 50MM F3.5 R LM WR

$1,649.00

The Original

FUJINON GF 63MM F2.8 R WR

$2,399.00

Limitless Creativity

FUJINON GF 80MM F1.7 R WR

$3,499.00

More than just a portrait lens

FUJINON GF 110MM F2 R LM WR

$4,299.00

Unlock New Levels of Detail

FUJINON GF 120MM F4 R LM OIS WR MACRO

$4,199.00

Frame a Deeper Story

FUJINON GF 250MM F4 R LM OIS WR

$4,999.00

Take the Wider View

FUJINON GF 20-35MM F4 R WR

$4,099.00

Document Life's Full Range

FUJINON GF 32-64MM F4 R LM WR

$3,499.00

The Gateway to Quality

FUJINON GF 35-70MM F4.5-5.6 WR

$1,549.00

See the Beauty

FUJINON GF 45-100MM F4 R LM OIS WR

$3,499.00

See More than the Moment

FUJINON GF 100-200MM F5.6 R LM OIS WR

$3,199.00

Teleconverter for G Mount Lenses

FUJINON GF 1.4X TELECONVERTER WR

$1,249.00

Compatible

Accessories

MHG-GFX S METAL HAND GRIP

$249.00

VIEW CAMERA ADAPTOR

$599.00

MCEX-18G WR G MOUNT 18MM MACRO EXTENSION RING

$499.00

MCEX-45G WR G MOUNT 45MM MACRO EXTENSION RING

$499.00

H-MOUNT ADAPTOR G

$999.00

EC-GFX EYE CUP

$19.00

EF-60 TTL FLASH

$699.00

BC-W235 DUAL BATTERY CHARGER

$129.00

NP-W235 LI-ION RECHARGEABLE BATTERY

$129.00

1. Based on CIPA standard
2. According to Fujifilm internal testing
3. With Firmware Version 2.00 or later
4. Available at 4K/29.97P, 25P, 24P or 23.98P.Requires an SD card with the video speed class of V60 or above to record at the bit rate of 400Mbps.
5. Available at 4K/29.97P, 25P, 24P, 23.98P, and FHD/59.94P, 50P, 29.97P, 25P, 24P, 23.98P when H.265/HEVC is selected. Not compatible with H.264.