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Fujifilm GFX100

Sale price$16,499.00

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Tech Specs

Model NameFUJIFILM GFX100 *FW ver4.00
Number of effective pixels102 million pixels
Image sensor43.8mm×32.9mm Bayer array with primary color filter
Sensor Cleaning SystemUltra Sonic Vibration
Storage mediaSD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) UHS-I / UHS-II / Video Speed Class V90 *1
File format
Still ImageJPEG (Exif Ver.2.3)*2, RAW : 14bit / 16bit RAW (RAF original format), RAW+JPEG, 8-bit /16-bit(10-bit output in 16bit file) TIFF (In-camera Raw Conversion Only)
Number of recorded pixels[L] <4:3> 11648×8736 <3:2> 11648×7768 <16:9> 11648×6552 <1:1> 8736×8736
<65:24> 11648×4304 <5:4> 10928×8736 <7:6> 10192×8736
[M] <4:3> 8256×6192 <3:2> 8256×5504 <16:9> 8256×4640 <1:1> 6192×6192
<65:24> 8256×3048 <5:4> 7744×6192 <7:6> 7232×6192
[S] <4:3> 4000×3000 <3:2> 4000×2664 <16:9> 4000×2248 <1:1> 2992×2992
<65:24> 4000×1480 <5:4> 3744×3000 <7:6> 3504×3000
Lens MountFUJIFILM G mount
Standard OutputAUTO1/AUTO2/AUTO3 (up to ISO12800) / ISO100~12800 (1/3 step)
(Movie: AUTO / ISO200~12800)
Extended OutputISO50 / 25600 / 51200 / 102400
(Movie: ISO25600)
Exposure controlTTL 256-zone metering, Multi / Spot / Average / Center Weighted
Exposure modeP (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure)
Exposure compensation-5.0EV - +5.0EV 1/3EV step
(Movie: -2.0EV - +2.0EV)
Image Stabilizer
MechanismImage sensor shift mechanism with 5-axis compensation
Compensation Effect5.5 stops (based on CIPA standard). Pitch/yaw shake only. With GF63mmF2.8 R WR lens mounted.
Digital Image StabilizationYes (movie mode only)*3
IS MODE BOOSTYes (movie mode only)*3
Shutter typeFocal Plane Shutter
Shutter speed
Mechanical ShutterP mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec.
S/M mode: 60min. to 1/4000sec. Bulb mode: up to 60min.
Electronic Shutter*4P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.
S/M mode: 60min. to 1/16000sec. Bulb mode: up to 60min.
Electronic Front Curtain Shutter*5P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec.
S/M mode: 60min. to 1/4000sec. Bulb mode: up to 60min.
Mechanical + Electronic Shutter*4P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.
S/M mode: 60min. to 1/16000sec. Bulb mode: up to 60min.
Electronic Front Curtain Shutter + Electronic Shutter*4*5P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.
S/M mode: 60min. to 1/16000sec. Bulb mode: up to 60min.
*Cannot choose slower shutter speed than framerate with LongGOP recording.
Synchronized shutter
speed for flash
1/125sec. or slower
Continuous shootingCH Approx. 5.0fps (JPEG: 41 Frames, Compressed RAW: 15 Frames*3, Lossless compressed RAW: 14 Frames, Uncompressed RAW: 13 Frames)
CL Approx. 2.0fps (JPEG: Endless, Compressed RAW: 41 Frames*3, Lossless compressed RAW: 20 Frames, Uncompressed RAW: 15 Frames)
*When Using the Electronic Shutter CH continuous shooting speed drops to approx. 2.9fps.
*Electronic Front Curtain Shutter support CL only.
*Recordable frame depends on recording media.
*Speed of continuous shooting depends on shooting environment and shooting frames.
Auto bracketingAE Bracketing (Frames: -2, -3, +3, +2, ±9, ±7, ±5, ±3 Step: 1/3EV, 2/3EV, 1EV, 4/3EV、5/3EV、2EV、7/3EV、8/3EV、3EV)
Film Simulation bracketing (Any 3 types of film simulation selectable)
Dynamic Range Bracketing (100%, 200%, 400%)
ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV)
White Balance Bracketing (±1, ±2, ±3)
Focus Bracketing (AUTO, MANUAL)*3
Multiple Exposure: (Max. 9 frames*3),Additive*3,Average*3,Bright*3,Dark*3
ModeSingle AF / Continuous AF / MF
TypeIntelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
Low-light PerformanceContrast:-2.5EV(GF80mmF1.7 attached)
Phase Detection:-5.5EV(GF80mmF1.7 attached)
AF frame selectionSingle point AF: EVF / LCD: 13×9 / 25×17 (Changeable size of AF frame)
Zone AF: 3×3 / 5×5 / 7×7 from 117 areas on 13×9 grid
Wide/Tracking AF: (up to 18 area) * AF-S: Wide / AF-C: Tracking
White balanceAutomatic Scene recognition / Custom1-3 / Color temperature selection (2500K~10000K) / Preset: Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater
Clarity setting±5 steps*3
Self-timer10sec. / 2sec.
Interval timer ShootingYes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing)
Flash modes
Hot shoeYes (Dedicated TTL Flash compatible)
Viewfinder0.5 inch Approx. 5.76 million dots OLED Color Viewfinder
Coverage of Viewing Area vs. Capturing Area: Approx. 100%
Eyepoint: Approx. 23mm (from the Rear End of the Camera's Eyepiece)
Diopter Adjustment: -4 - +2m-1
Magnification: 0.86× with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View: Approx. 41° (Horizontal Angle of View: Approx. 33°)
Built-In Eye Sensor
LCD monitor3.2 inch, Aspect Ratio 4:3, Approx. 2.36 million dots Tilt-Type(Three Direction), Touch Screen Color LCD Monitor (Approx. 100% Coverage)
Touch Screen Mode
Shooting ModeTouch AF, Focus Area, OFF
Double Tap ON/OFF Setting, Touch Function ON/OFF Setting
Playback ModeSwipe, Zoom, Pinch-in / Pinch-out, Double-tap, Drag (ON/OFF Selectable)
Sub LCD monitor1.80 inch, Aspect Ratio 4:3, 303×230-dot Monochrome LCD Monitor
Rear sub monitor2.05 inch, Aspect Ratio 4:1, 256×64-dot Monochrome OLED Monitor
Movie recording
File formatMOV (MPEG-4 AVC / H.264, HEVC / H.265, Audio : Linear PCM / Stereo sound 24bit / 48KHz sampling)
Movie compressionAll Intra/Long-GOP
* All Intra can be used with following settings.
DCI4K/4K 29.97p/25p/24p/23.98p 400Mbps
Full HD(2048×1080)/Full HD(1920×1080) 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps
File size / Frame rate / Recording time[DCI4K (4096×2160)] 29.97p / 25p / 24p / 23.98p 400Mbps/200Mbps/100Mbps up to Approx. 60min.
[4K (3840×2160)] 29.97p / 25p / 24p / 23.98p 400Mbps/200Mbps/100Mbps up to Approx. 60min.
[Full HD (2048×1080)] 29.97p / 25p / 24p / 23.98p 200Mbps/100Mbps/50Mbps up to Approx. 80min.
[Full HD (1920×1080)] 29.97p / 25p / 24p / 23.98p 200Mbps/100Mbps/50Mbps up to Approx. 80min.
* For recording movies, use a SD memory card with UHS Speed Class 3 or higher.
* For recording movies in 400Mbps, use a SD memory card with Video Speed Class 60 or higher.
* Recording movies in 400Mbps can be done with DCI4K/4K 29.97p/25p/24p/23.98p.
Monochromatic ColorYes*3
B & W ADJ. (Warm/Cool)-9 - +9 *When ACROS or Black&White is selected.
Grain EffectRoughness: STRONG, WEAK, OFF Size: LARGE, SMALL*3
Color Chrome EffectSTRONG, WEAK, OFF
Color chrome Blue*3STRONG, WEAK, OFF
Smooth Skin EffectSTRONG, WEAK, OFF
Dynamic range settingAUTO, 100%, 200%, 400%
Photography functionsD range priority, Highlight tone, Shadow tone, Color, Sharpness, Noise reduction, Long exposure NR, Lens Modulation Optimizer, Color space, Pixel mapping, Select custom setting, Edit/Save custom setting, AF-C custom setting, Store AF mode by orientation, AF point display, Pre-AF, AF Illuminator, Face/Eye detection AF, AF+MF, MF assist(Digital Split Image, Digital Microprism, Focus peak highlight), Focus check, Interlock spot AE & focus area, Instant AF setting (AF-S/AF-C), Depth-of-field scale, Release/Focus priority, Touch screen mode, Flicker reduction, Mount adapter setting, 35mm Format Mode, Red eye removal, RGB Histogram, Highlight alert, Electronic level, Preview depth of field, AE lock, AF lock, AF-ON, AWB lock, Multiple exposure
Movie functionsInterframe NR, F-Log/HLG/RAW recording*3, Peripheral light correction, Movie AF mode, 4K movie output, Full HD movie output, HDMI output info display, 4K HDMI standby quality, HDMI rec control, Zebra setting, Zebra level, Audio setting, Time code setting, Tally light, Movie silent control
Playback functionsSwitch slot, RAW conversion, Erase, Erase selected frames, Simultaneous delete(Raw Slot1/JPG Slot2), Crop, Resize, Protect, Image rotate, Red eye removal, Voice memo setting, Copy, Photobook assist, Multi-frame playback (with micro thumbnail), Favorites/Rating, RGB histogram, Highlight alert
Wireless transmitter
StandardIEEE802.11a/b/g/n/ac (standard wireless protocol)
EncryptionWEP/WPA/WPA2 mixed mode
Access modeInfrastructure
StandartdsBluetooth Ver. 4.2(Bluetooth low energy)
Operating frequency2402 - 2480MHz(Center frequency)
Wireless functionGeotagging, Image transfer (Individual image/Selected multiple images), View & Obtain Images, instax Printer Print, Pairing registration, Delete pairing registration, Bluetooth ON/OFF setting, Auto image transfer, Smartphone Sync. Setting, Wireless com. frequency setting
Other functionsExif Print, Date/Time, Time difference, 35 Languages, My menu setting, Sensor cleaning, Battery age, Regulatory, Sound set-up, EVF brightness, EVF color, EVF color adjustment, LCD brightness, LCD color, LCD color adjustment, Image disp, Auto rotate displays, Preview exp./WB in manual mode, Natural live view, Framing guideline, Auto rotate PB, Focus scale units, Dual display setting, Disp. custom setting, Large indicators mode(EVF/LCD), Large indicators disp. setting, Information contrast adj. Sub monitor setting, Rear sub monitor setting, Sub monitor background color, Rear sub monitor brightness, Focus lever setting, Edit/Save Quick menu, Function(Fn) setting, Command dial setting, Shutter AF, Shutter AE, Shoot without lens, Shoot without card, Focus ring, Focus ring operation, AE/AF-Lock mode, AWB-Lock mode, Expo. Comp. button setting, Touch screen setting, Lock, Auto power off, Performance, Shooting stand by mode, Auto power save, Frame No., Save org image, Edit file name, Card slot setting, Select slot, Select Folder and Create Folder, Copyright Info
Digital interfaceUSB Type-C(USB3.2 Gen1x1)
HDMI outputHDMI Micro connector (Type D)
Othersø3.5mm, stereo mini connector (Microphone)
ø3.5mm, stereo mini connector (Headphone)
ø2.5mm, Remote Release Connector
DC IN 15V Connecter *Compatible with AC-15V (Optional) Only
Hot shoe
Synchronized terninal
Power supplyNP-T125 (x2) Li-ion battery (included)
Battery life for still images*6Approx. 800 frames When GF63mmF2.8 R WR is set. (2 batterys installed, Auto power save ON)
Actual battery life of movie capture*6[4K] Approx. 100min. [Full HD] Approx. 150min. *Face detection is set to OFF
Continuance battery life of movie capture*6[4K] Approx. 170min. [Full HD] Approx. 240min. *Face detection is set to OFF
USB power supplySupport USB PD(Power Delivery) power source to supply or rapidly recharge battery (USB PD Rev2.0 ver1.3)
DimensionsIncluding EVF
156.2mm (W) × 163.6mm (H) × 102.9mm (D) / 6.15in. (W) × 6.44in. (H) × 4.05in. (D)
(Minimum Depth : 48.9mm / 1.93in.)
Excluding EVF
156.2mm (W) × 144.0mm (H) × 75.1mm (D) / 6.15in. (W) × 5.67in. (H) × 2.96in. (D)
(Minimum Depth : 48.9mm / 1.93in.)
WeightApprox. 1,400g / 49.4oz. (including EVF, battery x2 and memory card)
Approx. 1,320g / 46.6oz. (including battery x2 and memory card)
Approx. 1,155g / 40.7oz. (excluding accessories, battery and memory card)
Operating Temperature-10°C - 40°C (+14°F - +104°F)
Operating Humidity10% - 80% (no condensation)
Starting up periodApprox. 0.4sec. *Fujifilm Research
Accessories includedLi-ion batteries NP-T125 (x2)
Battery charger BC-T125
Plug adapter
Interchangeable electronic viewfinder EVF-GFX2
Body cap
Metal strap clips (x2)
Clip attaching tool
Protective covers (x2)
Shoulder strap
Cable protector
Hot shoe cover (Body/EVF)
Connector cover (EVF)
Sync terminal cover


More than full frame

GFX100 combines decades of experience, knowledge, and research into a mirrorless large format camera that redefines the boundaries and limitations of how photographers and filmmakers creatively express themselves.


with battery x2
& card


In body






4:2:0 10-BIT

large format.

4th Generation

Processor & sensor

large format CMOS sensor

Sensor Size 43.8mmx 32.9mm

The GFX Series’ use of 55mm diagonal length large format sensor (43.8 x 32.9mm) has paved the way for ultra-high image resolution. The GFX100 delivers smooth gradation and image sharpness with the high-resolution sensor. This is made possible thanks to Fujifilm's expertise in medium format which has been gained since the days of film cameras. Experience the astonishing photographic potential possible with the 100MP+ sensor.


Image Processing Engine

The GFX100 uses the X-Processor 4, Fujifilm's latest image processing engine to quickly optimise the data from the high-resolution image sensor. Despite the massive amount of data involved, the processor handles it at a speed. You can also apply the Film Simulation modes to 100MP+ image data to achieve Fujifilm's unique styles of colour and tone reproduction.

16-bit images with amazing colour


GFX100 pairs a back-illuminated 102MP imaging sensor with our blazingly fast X Processor 4 processing engine to create a combination capable of outputting 16-bit images with amazing colour fidelity, rich shadow detail, and incredible dynamic range. Its back-illuminated structure enhances image quality by bringing the exposure plane closer to the colour filter array. This minimises noise levels from that typically experienced with mirrorless cameras and extends the native ISO to ISO 100. Sharpness is also enhanced, while moire and false colours are near eliminated through the omission of an optical low-pass filter. 

Pål Laukli | GFX100
 Pål Laukli | GFX100

Preserve for the future

Pixel shift

The Pixel-Shift Multi-Shot function combines 16 RAW files to create a single 400MP image that reproduces the finest details with ultimate colour accuracy. Images are created by moving the imaging sensor to record red, green and blue data from every pixel. This process results in unparalleled colour reproduction and is perfect for archiving works of art, preserving cultural assets, or for any application that requires immense colour fidelity and sumptuous detail.



The G Mount was designed to accommodate GF lenses with 100MP+ sensors in mind. Taking maximum advantage of the mirrorless system, the G Mount has a short flange focal distance which contributes to the camera’s compact form and mirrors GF lenses’ design and advanced performance. When combined with a large CMOS sensor, the system prevents peripheral light fall-off to achieve stunning edge-to-edge sharpness.

Beno Saradzic | GFX100
Beno Saradzic | GFX100

A Legacy


Fujifilm’s legacy in colour science has helped create one of the most widely-acclaimed digital colour processing engines in the world. Benefiting from over 85 years of research and development in colour imaging. As a manufacturer of cameras and photographic films for many years, Fujifilm has developed 19 Film Simulation modes to digitally replicate the look of film. The GFX100 allows users reproduce these colours and tones, despite its large image resolution, adding an artistic flair to images with exceptional quality.


Image Format, Size & Aspect

The GFX100 allows users to capture images in various formats and image qualities. This includes uncompressed / lossless compressed RAW and JPEG formats of varying image sizes, aspect ratios and compression ratios. The in camera RAW processing gives the option of saving 8bit or 10bit colour depth images as 8bit or 16bit TIFF files. When using a 35mm format lens via a mount adapter, the camera can record images in a 36.0mmx24.0mm frame at the centre (60.8M) as JPEG or TIFF (in camera RAW processing) formats.

Jan Gonzales | GFX100
Jan Gonzales | GFX100


Colour Chrome

The GFX100 offers additional photographic effects including the “Grain Effect” for replicating the graininess of analogue photos, the “Colour Chrome Effect” for adding deeper tonal gradation to a subject matter with highly saturated colours, and the “Smooth Skin Effect,” a new function developed for the GFX100 for smoothing the skin tones for use in portrait photography.


White Balance

You can choose the white balance setting from Auto, Custom, Colour Temperature and Preset. The white balance can be fine-tuned in the WB Shift feature with RB colour coordinates. In the Custom mode, which measures the ambient light to determine white balance, you can also adjust size and location settings and register three presets.

Fujifilm's Colour Science

Colour Mastery 

As a manufacturer of cameras and photographic films for many years, Fujifilm has developed 19 Film Simulation modes to digitally replicate the look of film. The GFX100 allows users reproduce these colours and tones, despite its large image resolution, adding an artistic flair to images with exceptional quality.

Philipp Rathmer | GFX100
Philipp Rathmer | GFX100


Based on FUJICHROME PROVIA, a reversal film designed for professional use, this Film Simulation mode caters for all subject types, offering a relatively neutral colour reproduction.

Eterna Bleach Bypass

This Film Simulation mode applies a Bleach Bypass effect to the ETERNA/CINEMA mode. This creates a high-contrast and low-saturation look which gives a touch of profoundness, loved by many filmmakers, which is perfect for a more dramatic edit.


Based on ACROS, a monochrome film renowned for its super fine grain, this Film Simulation mode delivers rich shadow details and excellent sharpness, while still being able to add grain at high ISOs to produce the stunning textural feel of monochrome films.


This mode adds a warm tone across the frame for a vintage look. When applied to a retro subject, it creates a fittingly nostalgic finish.


Based on FUJICHROME Velvia, an ultra vivid reversal film designed for professional use, this Film Simulation mode provides richer and high-contrast colours than the standard “PROVIA/STANDARD,” normally used by landscape photographers.


Focal Plane Shutter

The GFX focal plane shutter is specifically designed for 55mm diagonal length large format mirrorless digital cameras. With a durability performance over 150,000 shutter actuations 2, it combines an electronic front curtain shutter with an exceptionally quiet mechanical shutter which has a maximum speed of 1/4000sec.

The shutter system has been redesigned for the GFX100 to support the new large format CMOS sensor with continuous shooting of up to 5.0fps. You can select from three types of shutters, including an electronic shutter, according to your shooting conditions.


Shock Absorber

The GFX100’s shutter has a shock absorption mechanism ideal for landscape photography, studio shooting and commercial photography, all of which are unforgiving to even the slightest of camera shakes. The shutter unit is suspended at the top, bottom, right and left and is able to absorb subtle shakes caused when the mechanical shutter is used. It also enables quicker shutter response, which is useful in a variety of shooting situations.


Image Stabilisation

The GFX100 is a first mirrorless digital camera equipped with an in-body image stabilisation (IBIS) mechanism for a large format sensor in GFX series. It provides precision control for the high-definition images produced by the camera’s large format sensor, which is approx. 1.7 times the size of a 35mm format sensor.

This feature revolutionises the large format camera system, unleashing its advanced performance with greater flexibility in a wider variety of shooting conditions.

Jan Gonzales | GFX100
Jan Gonzales | GFX100

Large Format

GFX100 is an elegant blend of engineering and design. Everything from the shape of its lightweight magnesium body, to the look and feel of its buttons and dials have been carefully selected to provide you with a seamless experience in using it to create images. Optimised for a variety of applications and packed with state-of-the art technology, GFX100 is designed to provide you with the best incredible image quality possible, regardless of the situation.

Multi-function Monitor 

The top panel features a clear, 1.8-inch B/W sub LCD monitor that displays the main shooting settings such as shutter speed, aperture, ISO sensitivity and exposure compensation, as well as function icons, remaining number of frames (stills) and remaining filming time (video). This display can be configured according to what information you want to be displayed. When you switch between stills and video modes, all the settings shown on this sub monitor also change accordingly, ensuring that all relevant data is available at hand.

Rear Customizable Information Monitor 

The rear panel features a sub monitor, which can be configured to display various data previously displayed on the main LCD monitor. Minimising the amount of data that has to be displayed on the main LCD monitor makes it easy to check the overall framing and concentrate on the composition. You can choose to display the exposure compensation gauge and histogram on the sub monitor to enable exposure adjustment whilst checking the exposure level.

3.2inch Tilting LCD Screen 

The rear panel features the main 3.2-inch 2.36-million dot LCD monitor that has 100% coverage and tilts in three directions, 90 degrees upward, 45 degrees downward and 60 degrees to the right. The use of capacitive touchscreen panel allows easy framing and shooting in high and low angles, which can be difficult when using the EVF.

High Magnification and High-Definition Electronic Viewfinder

The GFX100 comes with a detachable 5.76M dot EVF with approx. 100% coverage. Resolution priority, frame rate priority and AF priority can be selected in boost mode for live view depending on the subject.


Compared to traditional large format digital systems, GFX100 raises the bar in auto-focus performance by utilising AF phase detection pixels across most of the sensor to help photographers obtain focus wherever they choose to position their subjects in the frame. At approximately 100% coverage, increased auto-focus performance with speed and accuracy is now a complete reality for photographers needing optimum performance in subject tracking, face/ eye detection and low-contrast environments.


Face/Eye Tracking

Using the new sensor in conjunction with the X-Processor 4, gives an advanced level of face-tracking performance. The photographer has the ability to identify and capture even easier than before, difficult subjects like a person inside profile. In the Eye AF mode, you can even specify which of the subject’s eyes you want the camera to prioritise. This is particularly useful in portraiture, which commands focusing accuracy with a very shallow depth of field. The touchscreen panel or Focus Lever can be used to select which of a crowd of faces detected you want the camera to track, focus and adjust exposure to.


Focus Bracketing

Focus bracketing – followed by some stacking and blending in post-production – can give you superb results, with everything in focus. With the Auto mode added on Firmware Ver.2.00, you only need to specify the starting and ending points and shooting interval, and the camera would automatically determine the number of frames and steps required.


Low Light

The GFX 100 will deliver fast and highly-accurate phase-detection AF even in low-light conditions at -5EV 3.

4K Movie / 10bit Colour Depth

The full potential of the 55mm diagonal length large format sensor in the GFX can be seen when shooting both stills and in video. The combination of the latest sensor and the “X-Processor 4” enables support for 4K/30P video. The camera’s sensor, which is larger than that of most cinema cameras, produces a shallow depth of field, enhanced tonal gradient in 10-bit output, and greater ISO sensitivity.

Movie recording format

With its large format sensor, the GFX100 demonstrates its appeal in video recording. It uses full sensor width to record video in 4K digital cinema format in the aspect ratios of 16:9 / 17:9. The sensor area used is greater than that of cinema cameras that support a large format sensor. You can use GF lenses and adaptors to achieve a variety of videographic expressions that only large sensors can deliver and record them in high-resolution 4K video.

F-Log / HLG Support

The GFX100 is capable of recording F-Log, characterised by a gamma curve with a wide dynamic range, and capturing video in HLG (Hybrid Log Gamma), one of the formats defined in the ITU-R BT.2100 international standards. Coupled with colour information attained in 10-bit colour depth, the camera records premium quality footage faithfully depicting scenes even with a large brightness range or subjects with high colour saturation.

Simultaneous Output to HDMI and SD card

The high-speed image processing engine, X-Processor 4, can read and output condensed video data, feeding 4K/30P 4:2:2 10bit data to the HDMI port and recording 4K/30P 4:2:0 10bit data to an SD card (when H.265 is selected) up to 400Mbps 4. You can also choose All-Intra 5 / Long-GOP, etc. The processor’s enhanced capability means video footage can be viewed on the camera’s LCD screen as well as on an external monitor whilst you film, while feeding uncompressed data straight to a recorder.

Multi-function monitor

The top panel features a clear, 1.8-inch B/W sub LCD monitor that displays the main shooting settings such as shutter speed, aperture, ISO sensitivity and exposure compensation, as well as function icons, remaining number of frames (stills) and remaining filming time (video). This display can be configured according to what information you want to be displayed. When you switch between stills and video modes, all the settings shown on this sub monitor also change accordingly, ensuring that all relevant data is available at hand.

1. Based on CIPA standard
2. According to Fujifilm internal testing
3. With Firmware Version 2.00 or later
4. Available at 4K/29.97P, 25P, 24P or 23.98P.Requires an SD card with the video speed class of V60 or above to record at the bit rate of 400Mbps.
5. Available at 4K/29.97P, 25P, 24P, 23.98P, and FHD/59.94P, 50P, 29.97P, 25P, 24P, 23.98P when H.265/HEVC is selected. Not compatible with H.264.